HAT EVENTS Exhibitors
Julia Schneiders | Bamberg, Germany
This year was Julia Schneiders’ second time to exhibit at Mut zum Hut. Having worked 20 years as a milliner, she decided just four years ago to establish her own brand. The colours of her hats and the little twists she uses in the designs make her hats really stand out. “I have an atelier and shop in Bamberg with three other milliners working for me. Every year I design a new summer and winter collection. Together with my team we manage to complete the production of all our hats ourselves.”
RuthHut | Mullheim an der Ruhr, Germany
It was also Ruth Eberz’s second time exhibiting at Mut zum Hut. After her retirement, Ruth took up millinery as a second career. “Years back, when I worked as a teacher, I came across a complete set of hat-making equipment at a school. I decided that one day I would use all these tools to make hats myself. And so I did, after I retired. I now have a studio in my house, and I have a place to showcase my hats in my own hometown.”
Irina & George Sardarev | Sofia, Bulgaria
Mother and son Irina and George work together as milliners in Bulgaria. Last year was their first time to visit Neuburg, having been invited by Ruth Eberz. George: “Before that we had only been to Les Estivales du Chapeau in Caussade (France). We actually thought this would be a similar kind of event, so last year we brought mostly not-too-expensive hats. In fact, what we sold were all our higher- priced hats. This year, we made sure to bring along our higher-end hats.”
EVaR!A | Wemding, Germany
As a daughter of a disabled father, Eva- Maria Burner knows how important safety is in daily life. Five years ago, she initiated a project to encourage more people to wear a helmet on the bike, by making the wearing of helmets more attractive. The hats she designs are not meant to be worn on the head but rather over protective headgear. “The hats are made in a factory in Germany where people with disabilities are employed. I have developed three different one-size-fits-all shapes. At first, I used a crocheted model, as I could make these myself. The newer models are much more sophisticated in design and are made from fabric. They come with different kind of accessories that can be added to the hat.”
Renée Kalokira | Munich, Germany
Renée Kalokira uses a range of techniques for her hat collection, one of which is knitting felt. To make this possible, she first cuts regular felt cones into long strips. “It’s quite time-consuming, cutting the strips into even widths and then knitting them into a new shape. For a hat with a knitted crown, I use about twice the amount of material you need for a regular felt hat. A variation of this technique is the double-layered felt hats I make. For these, I don’t knit the strips. I glue them to another felt. Also quite time- consuming! The simple-looking designs are always the most difficult to make.”
Wild at Hat | Bremen, Germany
Patricia Adler likes to work with special materials. One of her previous collections was made from porcelain. For her current collection, her fourth, she used old music instruments. “My new collection is about the two things I like the most: music and hats, they both come straight from my heart. Every hat in this ‘Drumhats Take II’-collection is made for a musician I admire, such as David Bowie, Aretha Franklin, and Joe Cocker. Normally I don’t make sketches when I’m designing a new collection, I just start working. An exception to the rule was my porcelain collection. That did need more preparation, actually, as you can’t just shape that material by hand.”
november 2017 | 17
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84