062
PROJECT / SHANGHAI EXPO 2010, CHINA
Pic: Charlie Xia
UBPA PAVILION
ARCHITECT: MARIO OCCHIUTO LIGHTING DESIGN: FRANCESCA STORARO
Designed by Mario Occhiuto Architetture with lighting design by Francesca Storaro, the Urban Best Practices Area (UBPA) is a thematic pavilion in which cities propose their solutions to modern urban issues. The pavilion is surrounded by a fretwork façade which allows natural light into the building during the day. At night, iGuzzini Linealuce strips placed inside the fretwork along the base of the façade, turns the whole structure into glowing light sculpture. Inspired by Michelangelo’s Sacrestia Nuova in Florence’s San Lorenzo Church, Storaro’s scheme cycles through four different colours - sky blue, yellow, orange and blue - each one representing a different part of the day: dawn, noon, twilight and night. The sequence, controlled by an iGuzzini Master Pro system, ends by turning pure white, representing pure illumination. The main entrance to the pavilion is below an angular overhang. ERCO Lightcast down- lights illuminate the way with the help of iGuzzini iRoll fixtures.
www.occhiuto.it www.francescastoraro.com
iGuzzini RGB linear LED lighting along the base of the fretwork façade of UBPA pavilion cycle through four colours to represent dawn, noon, twilight and dusk. The overhang entrance (above) is illuminated by ERCO downlights
Pic: HZCAD Shanghai Pic: Charlie Xia
Pic: Charlie Xia
Pic: HZCAD Shanghai
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132