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


   


  


  


     


 


  


   


 


   


   


   


   





     


  


      


   


             


 


   


    


   


 


      


     


     


         


       


      


    


       


     


  


    


        


   


      


  


       


           


         


      


 get the look


Instead of mixing all sorts of displays in your salon, it’s better to establish a theme that will unite your retail products. They should have a similar look so that you don’t end up with an uncoordinated feel and they need to fit in with the overall aesthetic of your salon.


keep it clean


According to Jane Iredale, one of the most common complaints is dirty displays. It may sound obvious, but hygiene is extremely important from an aesthetic point of view as well as avoiding the transfer of bacteria. A daily wipe down is essential; also check what condition your testers are in. Shave the top of lipsticks at the end of each day with a sharp knife to keep them looking fresh and make sure that nothing is running out. Nothing looks worse than a gunky pot of cream or an eyeshadow palette with only a few crumbs left in it.


tricks of the trade


Small psychological ‘tricks’ can make a big difference to your sales. Even something as simple as taking the lids off testers can have a big effect, it gives unspoken ‘permission’ to clients who want to try for themselves. Retail expert Paco Underhill, author of WhyWe Buy, advises placing products right at the edge of the shelf or counter, this subconsciously invites customers to pick them up.


 





He also suggests having a minimum of six of each product, if this sounds like a lot then at the very least you must stock retail versions of the testers. Research shows that customers are 15% less likely to return or recommend your business if they can’t buy your product there and then. Another important rule is to never leave just one retail version of the product because people are psychologically averse to taking the last one.


       


     


 


   


    


           


     


     


      


  


   


         


   


  


   





   


    


  


  


      


   


 


 


  


             


Product association also works well. If you’re stocking make-up, try displaying the correct brush next to each item so that it encourages sales, or if two skin care products go particularly well together place them next to each other. Try using small signs on the display as calls to action, such as ‘try me’, ‘spray me’, ‘these work well together’ and so on.


location, location, location


Where you position your visual merchandising has a big impact on how effective they are. The obvious area for impulse buys is the till, small POP (Point of Purchase) displays are ideal for this. Other industries also use this trick – supermarkets have confectionary by their tills, other shops have small items like lip balms, batteries, pens, small packs of tissues etc.


It may sound obvious, but if you have other displays in your reception make sure they are in front of the seated area so that clients can look at them while they’re waiting. Having products in the window is important for attracting ‘walk in’ traffic but once the client is inside they won’t be able to see the merchandising if it’s behind them.


         


  


   


   


 


  


   


  


  


 


   


         


  


      





   


    54 GUILD NEWS        


  


  


  


 


Karen Deehan works for the International Institute for Anti-Ageing (iiaa). For more


   


   


 


      


information telephone 0208 450 2020 quoting Guild News or visit www.iiaa.eu


Last but not least, don’t forget your treatment rooms. A small display in the client’s line of vision is a good way to get them thinking about the products while they’re in a relaxed environment.


  





visualmerchandising


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