E6 ®
EZ
GOLDEN GLOBE NOMINEE BESTACTOR KEVIN SPACEY
EE
KLMNO ROBIN GIVHAN ©HFPA
“KEVIN SPACEY’SBRAVURA PERFORMANCE IS ONEOF THISYEAR’SPLEASURES!”
DAVID DENBY, THE NEW YORKER
“UPROARIOUS! RIVETING! WICKEDLY HILARIOUS!” A FILM BY GEORGE HICKENLOOPER
KAREN DURBIN, ELLE CASINOJACK
HONOR. INTEGRITY. PRINCIPLES. EVERYTHING IS NEGOTIABLE. WRITTEN BY NORMAN SNIDER
DIRECTED BY GEORGE HICKENLOOPER
THE AVALON Washington, DC 202-966-6000
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more than any film in HISTORY WINNER!
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GOLDEN GLOBE
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pale, too young, too something. Why don’t they smile?Why are they so awkward?Why do we even care? Washingtonians instinctively
know that no matter the depths of their ambivalence about an in- dustry that traffics in superficial- ity, surface appearances matter. How we look serves as introduc- tion and parting shot. It can un- derscore an important point or distract from it. Washington’s currency is pow- er, and fashion helps to bring or-
7 ® D.C. fashion coverage taps into the city’s power grid givhan from E1
der to the power structure. Clothes provide the first hint of how we relate to one another and how seriously we should be taken. (Remember that, dear in- terns in your flip-flops and mini- skirts.) Gentlemen may pull on a bespoke suit or rebel against that brand of traditionalism with rumpled jeans and T-shirts. Pow- er is now a woman in a sleek sheath, not one in a frumpy suit and a pair of commuter sneak- ers. I arrived at The Post with a
simple philosophy: Fashion doesn’t happen in a vacuum.We
THE MOST CELEBRATED FILM OF THE YEAR GOLDEN GLOBE AWARD NOMINATIONS
BEST DIRECTOR Tom Hooper
11
BEST PICTURE OF THE YEAR 11
BEST SCREENPLAY David Seidler
BEST ACTOR Colin Firth
BEST SUPPORTING ACTOR Geoffrey Rush
BEST SUPPORTING ACTRESS Helena Bonham Carter
INCLUDING ® BEST ACTOR Colin Firth A RARE COMBINATION OF CROWD-PLEASER
“A FILMTHAT MAKES YOUR SPIRIT SOAR.
ANDTRIUMPHANTARTISTRY.” -Joe Morgenstern, THE WALL STREET JOURNAL
BRITISH WINNER
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TO WINNERRONTO INTERNATIONAL FILM FESTIVAL PEOPLE’S CHOICE
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BRITISH WINNER BRITISH WINNER INDEPENDENT FILM AWARDS
BEST ACTOR COLIN FIRTH
BEST SCREENPLAY DAVID SEIDLER
INDEPENDENT FILM AWARDS HAMPT WINNERONS INTERNATIONAL FILM FESTIVAL
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BRITISH WINNER
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INDEPENDENT FILM AWARDS HFPA®
BEST PICTURE OF THE YEAR CRITICS’ CHOICE AWARD NOMINATIONS
SCREEN ACTORS GUILD AWARD NOMINATIONS 4BEST CAST IN A MOTION PICTURE BEST SUPPORTING ACTOR Geoffrey Rush BEST SUPPORTING ACTRESS Helena Bonham Carter BEST PICTURE OF THE YEAR
CRITICS’ CHOICE AWARD NOMINA- INCLUDING
BEST ORIGINAL SCORE Alexandre Desplat
use fashion to navigate the world on a daily basis, to communicate, to define ourselves. Runway trends serve as guideposts and offer clues to changes in our cul-
ture.Models—both male and fe- male—tell us how we define beauty. They tell us something about the kinds of people we ex- alt and value. The Post encouraged a wide
viewof what counted as a fash- ion story. And it nurturedmy be- lief that fashion was at its most fascinating as seen through the day-to-day wardrobe of public figures and average Joes. Inmy first conversation with then-Executive Editor Leonard Downie, we talked about the many fashion tribes of this town: the K Street lobbyists and their fancy suits, the CapitolHill polit- icos who obsess about the spread of their shirt collars, the univer- sity crowd that indulges in fads and so on. The big dog cared about fashion! Frommy first days in the Style
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GOLDEN GLOBE AWARD Best Actress -NICOLE KIDMAN “An unbroken series of poignant, privileged moments.
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writtenanddirectedbySofiaCoppola,AcademyAward® winnerforLOSTINTRANSLATION
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section—wheremy stories com- peted for space with those about politics, film, television, music, books—I quickly learned that this paper sawfashion as part of the exquisite cultural stew. Fash- ion wasn’t separate, aberrant or exceptional. It was simply part of who we are.
® Beginning with the late, great
fashion editor NinaHyde, The Post always understood that clothes matter.Hyde covered fashion as both business and cre- ative endeavor. She recognized its influence on our lives, and she was entertained by its absurd in- dulgences. CathyHoryn followedHyde,
and she brought her intellectual rigor and an insider’s savvy to the job. And when I arrived, fresh from that fashion mecca known as Detroit, the biggest style enthusiasts in this city were welcoming, gracious and gener- ous with their good counsel. They gave me the two most valu- able gifts any journalist could ask for: the benefit of the doubt and a return phone call. Thanks to The Post’s support
and the benefit of a curious and savvy readership, I’ve been able to chronicle the seismic changes in the garment trade as it trans- formed from a series of mom- and-pop businesses into a web of international corporations. I wit- nessed the dazzling business acumen of men such as Domeni- co de Sole and Bernard Arnault, as well as the creative daring of Marc Jacobs, Tom Ford, Rei Kawakubo and AlexanderMc-
givhan continued on E7 3GOLDEN GLOBENOMINATIONS BEST PICTURE INCLUDING
SUNDAY, DECEMBER 26, 2010
‘‘
GREATFILMMAKING PETER TRAVERS
GREATACTING. GREATMOVIE.
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NOWPLAYING
IMAX® 3D IS A REGISTERED TRADEMARK OF IMAX CORPORATION.
©DISNEY ©2010 Paramount Pictures. All Rights Reserved.
(COMEDY) DRAMA
(DRAMA)
DRAMA
DRAMA
(COMEDY)
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