Park Profi le
www.parkworld-online.com
a
CLASSIC Reimagining
Restored retro amusement park Dreamland Margate, based in Kent in the south east of the UK, has faced a number of problems since its 2015 re-launch. Now, with a sold-out 15,000 capacity event under its belt and a £25m investment to its name, Dreamland is back in the game. Commercial director Jennie Double explains the reasoning behind the revamp
C
onsidered to be the oldest-surviving amusement park in Great Britain, dating back to the early 1860s, Dreamland is a product of the British railway boom.
Tourism by rail became a serious pastime, and Dreamland, in its original form (the ‘Hall by the Sea’) catered to new demand for entertainment and attractions. A key challenge faced by Dreamland management is
how it can maintain the park’s heritage whilst still providing the modern amenities that visitors expect. “We draw our inspiration from its past,” explaines Jennie. “When you have a business that has been operating as an attraction for over 100 years, you have to refer to its successes both from a visual and guest experience perspective. Some of the classic components of seaside design married with up-to-date
JANUARY 2018
landscaping and content, which really helped make this a park of the present as well as a park of the past.” Dreamland is home to the UK’s oldest wooden
rollercoaster, which is protected by a Grade II* listing with Historic England. The “lovingly restored” Scenic Railway was originally designed and manufactured by John Henry Hills in the 1920s, and has been enjoyed by generations. “Unlike most coasters today, it still runs with a rope and pulley design which requires a specialist team of splicers to repair or replace, which in itself takes eight weeks to make,” Jennie reveals. “It makes an extraordinary noise and is perhaps surprisingly thrilling given its age! It’s fascinating to think that people were enjoying the same ride all those years ago.
Continued on page 38 37
Jennie Double specialises in world-class start up experiences at venues and attractions across London, including ExCeL London, The O2 and Queen Elizabeth Olympic Park - programming commercial content within the events and entertainment industry. She has been commercial director at Dreamland since April 2016.
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74