Art in the Wilds 2018 Farinango Jose


Native American Jewelry (Silver and natural stones)


Fitzpatrick Karen I slowly Glass (Stained Glass)


e vo l ve d from a 2003 stained glass class to a 2006 win- dow project for the music


room in the house we were building to an obsession with glass improvisation. After participating in a gallery show and joining the


Cattaraugus County Arts Council I began to take part in the Routes to Art Studio Tours 2009-2014.


My background does not include a formal education


in art……rather, music. I have always sought to find oth- er uses for everything from used furniture, scrap metal, driftwood, etc. so I approach the bins and piles of glass in the same manner. This year I have been researching the different mean-


 —





  


  


 —


(877) 292-1843 | sbdc@clarion.edu | www.clarion.edu/sbdc


ings of a found feather and recreating them in glass. I also have a radiance of cardinals hatching this season. I con- tinue utilizing solder sculpting, metal and my own photo- graphs in this year’s pieces to add a more soulful voice. “I enjoy interpreting your ideas and composing a piece that “Just Fitz” your space!” As far as the process.....I borrow the cadence of Sues-


sical thought And endeavor to explain though I’m afraid I cannot.


It begins with a photo, a lyric, a book. The glass itself takes on a broken lost look.


Then a pattern emerges just waiting to happen. The nuance and textures of glass show their fashion.


Soldered and plated with metal or wire Copper or zinc frames accent final attire


Tuesday, June 19, 2018 — 15


Our jewelry


is a form of art that has been passed down through many generations. It’s not only a form of art but also a cultural exhibit. In order


to create my jewelry I use many techniques that my fore- fathers passed down to me as inheritance. When creating my jewelry I began by cutting each individual stone and create a unique inlay piece that demonstrates my Native American culture. I start by forming a shape in the silver molds. Once I


have achieved the shape or design I choose from a variety of natural stones such as turquoise, opal, coral, and many oth- ers. Then carefully measuring the mold I cut the stones in order to have a geometrical- ly perfect pattern and then set the stones. After the stones have been pasted in the sterling silver mold I place a coating polish into the stones to finish each piece. Blanca Camuendo is collaborative designer.


Randy Brem


1102 E Eschbach Rd., St. Marys PA 15857 (814) 834-2144


www.rhinoliningsofstmarys.com Pine Haven Veterinary Clinic Pine Ha en eterinary lini v V C c


101 Pine Haven Drive Kane, PA 837-7929


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