84
359. WHITTINGTON PRESS. BUTCHER, David. Index to Matrix 1-21. Risbury. The Whittington Press. 2003.
£248
4to., original half black morocco over marbled paper boards, lettered in gilt on spine. A mint copy in slipcase.
First edition, limited edition, no. LXXIII of 110 copies specially bound, with the dust wrapper of the ordinary edition in a pocket at the rear.
360. WHITTINGTON PRESS. BIDWELL, John. Mattioli’s Herbal. A Short Account of Its Illustrations, with a Print from an Original Woodblock. New York. Pierpont Morgan Library & The Whittington Press, Gloucestershire. 2003.
£498
Folio, original half green morocco over handcoloured patterned paper covered boards, lettered in gilt on spine. A fine copy in slipcase.
First edition, limited edition of 350 copies with a print from the original woodblock of asarum from the herbal in a pocket at the rear, this no. XLV of 50 copies specially bound and with the print handcoloured by Louisa Hare. Of these 50 copies only 20 were designated for the Whittington Press and bear the joint imprint of the press and the Pierpont Morgan Library.
359 360
The book was produced to mark the opening of the exhibition Picturing Natural History: Flora and Fauna in Drawings, Manuscripts and Printed Books at the Morgan Library in 2003.
361 361.WHITTINGTON PRESS. BUTCHER, David. Pages from Presses.1/50. Risbury. The Whittington Press. 2006. £1,995 Folio, full red morocco lettered in gilt on spine. With a Doves Press leaf on vellum and 13 original paper leaves. A fine copy in original fall-down back box.
Limited edition of 185 copies, this no. X of 50 special copies bound in full leather, signed by David Butcher, with the Doves leaf on vellum and 13 original leaves, and with an extra separate portfolio with 6 original leaves.
A leaf book (the first such from the Whittington Press) with specimen leaves from each of the Kelmscott Press; the Ashendene Press; the Doves Press; the Vale Press; the Eragny Press; and the Essex House Press.
“The original leaves from books issued by the six presses give collectors the feel of the actual pages they printed. They show the essential characteristics of the work of each press in terms of type design, format, quality of inking and impression, use of colour, the proportions of the margins and the properties of the hand-made paper. Many leaves also include decorative elements such as initials and paragraph marks or, in some cases, wood-engraved illustrations and borders... The specimen leaves in Pages from Presses are accompanied by an analysis of the characteristics of each of the proprietary types, and the broadside opposite the title-page illustrates many of these. The choice of leaves for inclusion was dictated partly by availability, but they are representative examples of the work of each Press... It is now more than a century since the six presses began work and recent studies presenting modern accounts of each of them have been published. This book ... [draws on these to provide] a concise factual account of each of the presses and their
output....Books for which specimen leaves are included have a commentary summarising their background and salient features.“
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