TOP PRODUCERS COMMERCIALS 30
SURVEY
NEXUS STUDIOS
nexusstudios.com 25 Chart
Street, Shoreditch, London N1 6FA t 020 7749 7500 co-founder/ep Charlotte Bavasso co founder/ ecd Chris O’Reilly md James Tomkinson credits The Last Mile by Fx Goby for Johannes Leonardo/VW; Changdeok ARirang by Alex Jenkins for TBWA/SKT / Google
Nexus says there is currently
PARK PICTURES
parkpictures.com
5 Old Nichol Street, London, E2 7HR t 020 3327 3040 md/ep Stephen Brierley head of sales and press Bethany Reilly producer Freya Silk credits Fifa 21 Win as One by Terence Neale for adam&eveDDB/ EA Games; O2 Headline Act by Georgia Hudson for VCCP/O2
VW The Last Mile
a ‘golden age’ of animation. “It may even be one of the most prolific and diverse eras for the craft of all time” driven by the strictures of lockdown. “For a few moments in the year, animation was the only option on the filmmaking table.”
PARK VILLAGE
parkvillage.co.uk
One Park Village East, Regent’s Park, London NW1 7PX t 020 7387 8077 md Tom Webb Managing partner/ep Adam Booth Business Development / EP Leonie Ellis credits There’s a Better Way by Favourite Colour: Black for Engine/ Cazoo; Driving Down ITV Lane by Jennifer Sheridan for The Drum/ VW/ITV
OUTSIDER
outsider.tv 41-42 Foley Street,
London, W1W 7TS t 020 7636 6666 chairman Robert Campbell md Richard Packer ep Simon Elborne fd Bella Francis credits An Evening With Abracadaisy & The Incredible Lucy by James Rouse for The & Partnership/Argos; If I Were A Toy by Chris Balmond for McCann Manchester/Smyths Toys Superstore Outsider says it’s taking the
PARTIZAN
partizan.com 19-23 Kingsland
Road, London, E2 8AA t 020 7851 0200 md Jenny Beckett executive producer of partizan studio Duncan Gaman head of production Ella More O’Ferrall credits Fantastic Voyage by Antoine Bardou-Jacquet for 72andSunny/ Adobe; Home for Christmas by Marlies Van Der Wel for Adam & Eve DDB/Great Ormond Street Hospital
Smyths If I Were a Toy
positives from a tough year. “It has made us smarter, better and more resilient. It has forced positive change that was needed. It has made us more grateful for the work we make and the continued demand for our skills and talent.”
PRESENCE
presence.team
17 Gresse Street, London, W1T 1QL t 020 7439 3130 EP& Founder Danny Fleet credits Nike Cristiano Ronaldo by Richard Swarbrick for Dirty Robber/ Nike Global Football; From Prisoner to PhD by Mat Hale for Presence/BBC
EA Fifa 21 Win As One
VW Driving Down ITV Lane
Adobe Fantastic Voyage
Nike Cristiano Ronaldo
PRETTYBIRD
prettybird.co Old Truman
Brewery, Brick Lane, London E1 6QL t 020 3468 9417 co-founder/md/ep Juliette Larthe ep Ted Thornton new business Mia Powell credits The Show Must Go On by Melina Matsoukas for Lucky Generals/Amazon; Like Nowhere Else by Yousef for BBC/BBC iPlayer
Prettybird made one of the stand out ads of the year with Amazon’s Christmas spot and says it had “an incredible year
Amazon The Show Must Go On
against the odds. The climate has been consistently busy for commercials with over 120 commercial scripts received.” It says it’s made other strides in the industry alongside the bottom line by “hitting 52% on inclusivity stats for behind the camera” as well as “giving well over 100 paid training days to underrepresented trainees.”
Spring 2021 C14
PULSE FILMS
pulsefilms.com
2-6 North Place, London EC2A 4JA t 07546 310023 global president, commercials, branded Davud Karbassioun md/ep James Sorton credits Give A Little Love by Oscar Hudson for Adam & Eve DDB/ John Lewis; The Tortoise and the Hare by Sam Pilling for Mother/ IKEA
Despite everything, it’s been an incredibly creative year in commercials for Pulse Films. Director Oscar Hudson helmed Apple’s Bounce, You Can’t Stop
Commercials 30 John Lewis Give a Little Love
Us for Nike and the John Lewis Xmas spot; Sam Pilling took on Ikea’s Tortoise and the Hare and Thirtytwo directed Tuesday for Dept of Education and The Gift for Mcdonalds. And the company’s long form output wasn’t too shabby either with drama Gangs of London, Apple TV doc Beastie Boys Story and feature Mogul Mowgli.
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