#IBC2022
DON’T CALL IT A COMEBACK: TV ADVERTISING IN THE 2020S
Rob Gallagher, P of esearch, edia ntertainment, mdia
“People hate ads and the future of TV will be ad-free like etflix, right ell, no, not really.” This prediction caused quite a stir when I made it at the end of the 2010s. Then, the online streamers groundbreaking ad-free subscription service was on the up, leading some to sound the death-knell for T advertising. et, our consumer research revealed that
three out of four internet users said theyd prefer seeing ads to paying a high monthly fee for a completely ad-free online video service. ne in two said theyd most prefer a service with a traditional TV-like amount of ads but no monthly fee. Time has proven our consumer research right and T advertisings doomsayers wrong and spectacularly so. roadcast T advertising has had challenges, but revenues have held up relatively well. ore importantly, next- generation online services with T-like advertising have been embraced warmly by both consumers and the industry. Our latest consumer survey wave found
that of internet users were regularly watching ad-supported video on-demand A services, compared to for subscription ones. Just under 50% were users of free ad-supported streaming T AT services which offer a highly traditional ad-funded T-like experience.
“We’re forecasting that global online video revenues from TV-like in-stream advertising will overtake those from subscriptions next year and reach $163 billion in 2027”
isney is expecting that most subscribers to isney will opt for the cheaper, ad- supported offer once it rolls out later this year, pointing to its ulu service where around of users are on such plans. And, of course, etflix is planning to launch an ad-supported offer. ere also finally seeing traditional T ad dollars move to digital, starting in the as the big channel groups isney, NBCUniversal and Paramount move into
NEW GEAR FOR ST2110, SAFELINK AND DANTE Cobalt Digital BY DAVID FOX
The afeink ateway, previously hardware only, is now available as software, including support for P, TP, and IT ain Profile, with encryption and authentication. It can support up to eight streams, each of which can be sent to eight destinations. sing low-latency eliable
Internet treaming Transport, SafeLink serves as a secure pipeline that ensures video is transported
safely even for live productions that experience network delay. Also new is Indigo -- , offering support for high- density native 4K ST2110 audio and video processing using openGear. It includes dual 25G thernet interfaces and supports uncompressed on obalts 9904-UDX-4K card. Support for T- seamless redundancy switching should improve network reliability, while I I- allows automatic discovery and configuration. Indigo offers advanced
streaming and take advertisers with them. At this years upfronts, digital accounted for of isneys bookings and of niversals. As a result, were forecasting that global online video revenues from TV-like in-stream advertising will overtake those from subscriptions next year and reach billion in .
This shift will open up an array of opportunities for technology vendors, as native streamers, established media firms and connected TV platform providers look to develop their plays. Key tech solutions to look for at IBC will include privacy- focused measurement and first-party data services, dynamic ad insertion, omnichannel campaign facilitation and AAT content and service aggregation. o, whether people love it or loathe it, advertising is here to stay and evolve, grow, and help media and entertainment firms and their technology partners succeed. 8.D01
87 OPINION
Must dash: The DashBoard GUI controlling Cobalt’s SafeLink software
processing with IP inputs and outputs and eliminates the need for external gateways. hen combined with the 9904-UDX- 4K openGear card it can natively
process , and IP streams without compromising uality. Also launched is the Px- ante-x. 10.B44
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