Principles of Social Science Research and Writing, PSYC2345 Introductory Statistics for the Behavioral Sciences, PSYC2350 Human Growth and Development, PSYC2360 Foundations of Christian Psychology, PSYC2370 Introduction to Counseling, PSYC2375 Dynamics of Small Groups, PSYC2385 Adolescent Psychology, SOCY2310 Introduction to Sociology, SOCY2340 Cultural Anthropology, THTR2385 Scene Design, THTR3320 Lighting Design, THTR3335 Advanced Directing, and THTR3380 Costume Design.
Subtotal ............................................................21 hours
General Education Requirements .................50 hours Major Requirements...................................... 41 hours Concentration Requirements ....................... 21 hours Free Electives .................................................16 hours
Total Degree Hours ...................................128 hours All students at North Greenville University must earn one-
half credit hour for Chapel for each semester of full-time enrollment, up to eight semesters, and pass four semesters of Cultural Events for the first four semesters of full-time enrollment in addition to the above hours. Transitional coursework is not included in this total.
Description This concentration is for those who desire to apply their theatre training towards a design or technical professional career or post graduate degree. Along with a strong core of theatre discipline classes (acting, history, literature, etc.), design/tech students are required to take set, lighting, and costume design, stagecraft, advanced stagecraft and choose from design/tech electives (scenic painting, or drafting for the theatre). Students are required to work on a minimum of two mainstage productions each year (practicums are valid in this requirement).
Vocational Prospects Students may elect to get an MFA in design or scenography or technical direction for further training. Or, a student may choose to work as a set, lighting, or costume designer, carpenter, master carpenter, technical director, assistant technical director, scenic artist, props master/mistress, electrician, light board operator, master electrician, stitcher, wardrobe crew/ assistant, stage hand, assistant stage manager, stage manager, or drafter for a professional tour, regional, professional, or community theatre.
Curricular Requirements Curricular: Fulfill the BA in Theatre program and choose electives in design, technical work, or drawing. Other options for electives include painting, photography, art, film and broadcasting classes, or architecture classes as they fit with your career aspirations. All tech practicums should be attempted during your Freshman- Junior years.
North Greenville University 2020-2021 Catalog (rev 06.01.2020)
Internship Requirements Select opportunities in local theatres as guided by your advisor to best suit your talent. Some examples might be loading in tours at the Peace Center or working in the costume shop in Greenville Little Theatre. Summer stock employment could be used for an internship.
Senior project: Select the Design project option. You should plan on presenting this project at the South Eastern Theatre Conference and including it in your portfolio.
Extra-curricular Requirements Students will be expected to prepare a portfolio review each year. This will include an updated resume and current portfolio, which documents both paper and realized projects.
Students should actively seek employment in summer stock theatre. SETC, IOD and USITT are the primary utilities to finding a summer stock job. Students are expected to interview at one of these conferences or at a local theatre.
Students should look to participate in the productions, whether they have a role assigned to them or not. Students will always learn through observation in the shops. Students are encouraged to ask for specific positions (props master, scenic artist, etc.). These shows provide students with resume and portfolio credits.
Musical Theatre Concentration Concentration Requirements MUSC1230 Music Fundamentals I ............................... 2 hours MUSC1240 Music Fundamentals II .............................. 2 hours THTR2220 Dance for Musical Theatre I ....................... 2 hours THTR2225 Dance for Musical Theatre II ...................... 2 hours THTR2315 Acting II........................................................ 3 hours THTR3105 Musical Theatre Workshop........................ 3 hours THTR3310 Voice for the Actor...................................... 3 hours THTR3315 Acting III....................................................... 3 hours THTR3325 Musical Theatre History and Literature..... 3 hours THTR4315Acting IV ....................................................... 3 hours MUAP1100 Applied Piano Lesson - Group .................. 2 hours
MUAP1101 Applied Voice Lesson ................................ 6 hours Subtotal .............................................................34 hours
General Education Requirements .................50 hours Major Requirements...................................... 41 hours Total Track Hours ...........................................34 hours Free Electives ...................................................3 hours
– 90 –
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160 |
Page 161 |
Page 162 |
Page 163 |
Page 164 |
Page 165 |
Page 166 |
Page 167 |
Page 168 |
Page 169 |
Page 170 |
Page 171 |
Page 172 |
Page 173 |
Page 174 |
Page 175 |
Page 176 |
Page 177 |
Page 178 |
Page 179 |
Page 180 |
Page 181 |
Page 182 |
Page 183 |
Page 184 |
Page 185 |
Page 186 |
Page 187 |
Page 188 |
Page 189 |
Page 190 |
Page 191 |
Page 192 |
Page 193 |
Page 194 |
Page 195 |
Page 196 |
Page 197 |
Page 198 |
Page 199 |
Page 200 |
Page 201 |
Page 202 |
Page 203 |
Page 204 |
Page 205 |
Page 206 |
Page 207 |
Page 208 |
Page 209 |
Page 210 |
Page 211 |
Page 212 |
Page 213 |
Page 214 |
Page 215 |
Page 216 |
Page 217 |
Page 218 |
Page 219 |
Page 220 |
Page 221 |
Page 222 |
Page 223 |
Page 224 |
Page 225 |
Page 226 |
Page 227 |
Page 228 |
Page 229 |
Page 230 |
Page 231 |
Page 232 |
Page 233 |
Page 234 |
Page 235 |
Page 236 |
Page 237 |
Page 238 |
Page 239 |
Page 240 |
Page 241 |
Page 242 |
Page 243 |
Page 244 |
Page 245 |
Page 246 |
Page 247 |
Page 248 |
Page 249 |
Page 250 |
Page 251 |
Page 252 |
Page 253 |
Page 254 |
Page 255 |
Page 256 |
Page 257 |
Page 258 |
Page 259 |
Page 260 |
Page 261 |
Page 262 |
Page 263 |
Page 264 |
Page 265 |
Page 266 |
Page 267 |
Page 268 |
Page 269 |
Page 270 |
Page 271 |
Page 272 |
Page 273 |
Page 274 |
Page 275 |
Page 276 |
Page 277 |
Page 278 |
Page 279 |
Page 280 |
Page 281 |
Page 282 |
Page 283 |
Page 284 |
Page 285 |
Page 286 |
Page 287 |
Page 288 |
Page 289 |
Page 290 |
Page 291 |
Page 292 |
Page 293 |
Page 294 |
Page 295 |
Page 296 |
Page 297 |
Page 298 |
Page 299 |
Page 300 |
Page 301 |
Page 302 |
Page 303 |
Page 304 |
Page 305 |
Page 306 |
Page 307 |
Page 308 |
Page 309 |
Page 310 |
Page 311 |
Page 312 |
Page 313 |
Page 314 |
Page 315 |
Page 316 |
Page 317 |
Page 318 |
Page 319 |
Page 320 |
Page 321 |
Page 322 |
Page 323 |
Page 324 |
Page 325 |
Page 326 |
Page 327 |
Page 328 |
Page 329 |
Page 330 |
Page 331 |
Page 332 |
Page 333 |
Page 334 |
Page 335 |
Page 336 |
Page 337 |
Page 338 |
Page 339 |
Page 340 |
Page 341 |
Page 342 |
Page 343 |
Page 344 |
Page 345 |
Page 346 |
Page 347 |
Page 348 |
Page 349 |
Page 350
