* have learned about the Celtic Revival Paul Henry, Seán Keating and Harry Clarke
in stained glass.
* be able to describe the work of Jack B. Yeats, * have learned about the Irish artists working
Context
By the early 20th century, historical research and archaeology were turning up evidence of an artistic and literary past that was uniquely ‘Irish’. This corresponded to the search for a national identity in literary circles; plays, poetry and novels sought the ‘real people’ of Ireland. The subject soon found its way into art, and before long themes from mythology, alongside the people and landscape of Ireland, were taken up by the new generation of artists. The art of the past, particularly Insular Art (see Unit 8) became a popular reference for artists and craft workers.
Media and Areas of Practice
Painting Dublin art schools continued to teach formal drawing and painting techniques in the Classical
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tradition, but new techniques were beginning to come in from the continent. This influenced some artists more than others.
Sculpture Stone carving and bronze casting continued in a conservative style, although subjects followed the Celtic Revival theme. Oliver Sheppard’s The Death of Cúchulainn (Fig. 33.1), a scene from an Irish legend in the GPO in Dublin, is one of the best- known examples of this.
Figure 33.1 The Death of Cúchulainn, by Oliver Sheppard, General Post Office, Dublin.
