The brooch, which was found at Ballinderry Crannóg, is a beautiful example of the developing style. Later brooches became even more elaborate, and new techniques emerged through trade with Europe. Gold wire filigree is found in a few small pieces dating back to the 6th century. A small bird-shaped button was found in Lagore Crannóg, where millefiori glass was also discovered in an enameller’s workshop. We will see more of filigree and millefiori in the next chapters.
Analysis
Look at how Christian symbolism was combined with Celtic design in the new crafts that came with Christianity.
The Christian mission to Ireland brought with it new ideas and influences from abroad, which were swiftly incorporated into the national craft style. Further opportunities were created by the introduction of decorated books and the demand for beautiful metalwork and stone carving in the new and rapidly expanding monasteries.
During the 5th and 6th centuries, technical skills and the variety of designs gradually increased to the point where all the elements needed for the explosion of creativity that happened in the 7th and 8th centuries were gathered together in the workshops of the larger monasteries.
Chapter Review
1. The Christian mission to Ireland brought new influences and ideas. Can you identify some of these new elements in the crafts of the period using words and drawings?
2. Judging from the buildings of the time, can you imagine the lifestyle of the early monks? Sketch and write about your ideas.
3. What, do you think, was the purpose of cross-inscribed pillars in early monasteries? Draw a decorated example and write your reasons.
4. Can you describe how vellum and inks were made? Illustrate your answer.
5. Can you describe some zoomorphic figures from 5th- and 6th-century craftwork? Draw and describe some examples.
Fur er Research
www.sacredsites.com – Search for Skellig Michael to learn more about the monastery
