Metalwork At the beginning of this chapter, we noted three sources for the origins of Christian Celtic design. In the following metalwork objects, we will see how these basic elements were elaborated on and distorted to create designs of the most extraordinary quality. There is nothing second-hand or copied in these designs; the elements were used with flair and originality to create a unique and subtly balanced art.
Many penannular and pseudo-penannular brooches ranging in size from 7 cm to 13 cm in diameter are known to date from the 7th and 8th centuries; of these, the Tara Brooch is the finest (Fig. 24.14).
Tiny human heads in
blue enamel
Pseudo-penannular brooches had larger decorated areas covering up to half of the ring. They look like penannular brooches, but the circle has been closed.
The Tara Brooch
The Tara Brooch was found in 1850 in Bettystown, Co. Meath, near the mouth of the River Boyne. Although some sections are damaged, enough remains to give a clear impression of the quality of craftsmanship and design. The chain attached to one side suggests that it was connected to a matching
Animal and bird heads
Trichinopoly chain
Multi-sided dog head connection
Figure 24.14 The Tara Brooch, front view.
Engraved silvered copper plates
High relief silver gilt casting
Cloisonné enamel stud
Figure 24.15 The Tara Brooch, back view. 342 NEW APPRECIATING ART IRELAND AND ITS PLACE IN THE WIDER WORLD
