Figure 7.10 The Ecstasy of Saint Teresa, 1647– 52, by Gian Lorenzo Bernini, marble, 350 cm, Santa Maria della Vittoria, Rome. Set in an elevated position above the altar, the sculptural group is a perfect combination of movement and absolute stillness. Fluttering drapery conveys the agitation of the swooning nun and contrasts with the purity of her face.
This drama ‘on a stage’ very clearly demonstrates one of the most important elements of Baroque art. The barrier between art and reality is broken down to include us in the intensity and passion of Teresa’s vision.
Analysis
Examine how architecture, painting and sculpture worked together in a unique and unified way. Study the drama, vitality, movement, tension and emotional exuberance in the works of art and note the use of art elements like sumptuous colour and spectacular light and shade.
Figure 7.11 Saint Peter’s Square (Piazza San Pietro) Rome, 1667, by Bernini. This is one of the largest and most beautiful squares in the world.
CHAPTER 7 ART AND ARCHITECTURE IN 17TH-CENTURY ITALY
