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rocker par excellence Alice Cooper brings his Halloween Hootenanny Tour to Merriweather Post Pavil- ion on Sunday. Click Track, The Washington Post’s pop music blog, spoke with the mascara-clad 62-year-old about his recent nomination for the Rock and Roll Hall of Fame and his influence on Lady Gaga.
—Chris Richards
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You’ve been eligible for the rock hall for many years. Before being nominated, did you feel like you were being snubbed? I think it’s one of those things where my fans were more an- noyed than I was. I just kind of feel that your time comes around.
What do you think of the rock hall as a concept? Music isn’t a sport with statistics or champi- onships. That’s the hardest thing to ex- plain to people. When they say, “How come you’re not in? You’ve sold all these records . . . ” If it were stats, I think I’d be way okay. But it’s your heroes that are voting for you. You’ve got your McCart- neys and your Jaggers and your Townshends, the Jeff Becks of this world who get a ballot and your name is on there. And you realize, those are the guys you learned
“STUNNING!” -Ann Hornaday, WASHINGTON POST
from. . . . It is an exclamation point on your career.
Do you ever think about your
legacy? I’m not going to be considered a
great singer, but I want to be con- sidered a great songwriter. And a great performer. But I don’t take the fame seriously. I think that’s why I’m still here.
DOMINIC FAVRE/KEYSTONE VIA ASSOCIATED PRESS
And you’ll certainly be remem- bered for introducing a sense of spectacle to rock-and-roll. I kept thinking, “Why isn’t any- body painting that canvas?” You have that whole big stage there and nobody is making it come alive. If you say “Welcome to My Nightmare” [the title of Cooper’s 1975 concept album], give them the nightmare. Don’t just say it. Give it to them. So we stepped way out on that limb and on the end of that limb, you’re either a total idi-
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SHOCKING, ISN’T HE? Alice Cooper will play Merriweather Post on Sunday.
ot or a genius. . . . And for a long time, man, we had a lot of resis- tance. You’d be surprised how many bands did not want us to succeed. Because what it meant was that they were gonna have to do a show.
Did you ever worry that the
spectacle would outshine the songs?
If you don’t have the cake, you
FROM THE DIRECTOR OF “THE QUEEN” AND “DANGEROUS LIAISONS”
“As Captivating As Its Heroine.” Richard Corliss
“A Sophisticated Hoot!” David Ansen
Click Track
THE POST’S POP MUSIC BLOG
6washingtonpost.com/ clicktrack
can’t put the icing on it. . . . We learned early on that when were playing with Led Zeppelin and the Rolling Stones and all theses great bands, that you better be a great band before you start doing theat- rics. . . . We would do 10 hours of rehearsal and nine hours would be on the music and one hour would be on the theatrics. Most people would think the opposite, but the music was just so impor- tant to us.
In the ’90s, your influence
over Marilyn Manson felt huge. And now it’s happening again with Lady Gaga. Is there enough cake beneath their icing? Yeah, especially Gaga. When I
saw her I thought, “We have a cos- tume queen, here.” And she was great at it. She was the Salvador Dali of divas. Then I started listen- ing and I went, “Hey! She can sing!” Then I saw her perform at the Grammys with Elton John and she could play piano and sing and write songs. So she suddenly turned into a whole different enti- ty to me.
As a rock star, is it strange to
see your influence on pop? I was a big fan of pop music.
The Beatles made the best pop records ever. . . . But I think that our influence, maybe even more than the theatrics, was the atti- tude. We came out as the un- derdog and gave out more attitude than the audience did.
You’re on tour right now. Do
you feel like you’re out there competing with the visually over-the-top concerts from U2 or Rihanna or Lady Gaga or the Black Eyed Peas? I still like the idea that Alice is
sort of a sideshow. . . . Our show is just on the verge of being sort of psychotic vaudeville. But I don’t mind that at all. I think that’s our style. I’ve never used pyro. I’ve never used lasers or anything like that. . . . Whereas, a lot of the shows I see now are just a bom- bardment of media. And I kind of get lost in it. I think our show might be a little more personal.
KLMNO
SUNDAY, OCTOBER 17, 2010
THE IMPOSSIBLE TRUE STORY DISNEY.COM/SECRETARIAT ©Disney
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