Glasgow Business . 63 www.glasgowchamberofcommerce.com 2012


CREATIVE COLOUR BUREAU LIMITED (CCB) PRINT


Creative Colour Bureau Limited (CCB) was established in 1993 by a strong team of highly


skilled staff from a colour critical reprographics background.


During the past 19 years, CCB has invested


heavily in both the latest technology and staff to remain at the forefront of Scottish print. In 2012, CCB employs a total of 40 staff, including highly trained and experienced colour printers, a dedicated print finishing team and our own delivery drivers. From our Glasgow base, we have gained a


reputation for our high quality of colour print and dedication to customer service and presently work for a number of leading private companies in addition to working for a number of local authorities and other government agencies. In 2012, CCB continue to have a strong


focus on colour control and now offer their clients a comprehensive range of print services encompassing: • Sheetfed litho printing up to B2 (520 x 720mm/10 colour long perfector press • Digital Colour with full variable data printing facility using the Kodak “Nexpress” • Indoor and outdoor Large Format poster, banner and exhibition systems • Full in-house finishing capability including laminating and forme cutting. To ensure that market demands are met, CCB’s


production facility operates 24 hours each day of the week. CCB continues to invest in our future


growth with investment culminating in a new purpose built production facility in Glasgow in 2008, the latest digital print technology and further investment in staff training with the implementation of ISO 9001 and ISO 14001 accreditation in February 2009. CCB are committed to the use of recycled


and environmentally friendly substrates and received accreditation from the Forest Stewardship Council’s (FSC’s) Chain of Custody in September 2007.


+ For more information on CCB, visit: www.ccb.co.uk


GREAT SCOT PHOTOGRAPHY


(STEWART CUNNINGHAM) PHOTOGRAPHY


I could tell you about


photographing The Rolling Stones, or snapping the first press pictures of Wet Wet Wet (at Bowling basin, when it was very down-at-heel and the band were just wee scrawny boys). I could mention being asked to leave South


Africa during the apartheid era, being stranded in the Australian bush when the small plane I was in came down. There are the countless concerts, INXS,


Tom Petty, The Eurythmics, Dire Straits, Simple Minds and even Take That when they were a “’Boy Band”. There is the trouble brought down on my head by print journalists, notably erstwhile hack Tom Morton, now better known as a radio broadcaster. Rocketing through the Clyde Tunnel in the sidecar (loosely attached) of his two-stroke Communist motorcycle; Morton had not passed his test at the time. And as if that wasn’t enough, the petrol


tank was half full of whisky, cask strength, of course. Rocketing through the seas off Shetland with Morton on a rib was also a terrifying experience. An exploding Fiat on


the way to interview Muriel Gray is another. I could go on. Then there’s the celebrity snaps, such as Billy


Connolly and Pamela Stephenson, and powerful businessmen like Rupert Murdoch, my old boss. The glamorous foreign trips, the film stars, racing cars and champagne bars ... not forgetting all those product shots along the way. But none of that matters compared to two


photographs: The ones I took of my sons, days after they were born. They’re the pictures I treasure, the memories I


keep. Images matter. In a lifetime of making them, those are the two images that matter most to me. What images matter most to you?


+ For more information on Great Scot Photography, visit: www.greatscotphotography.com


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