This page contains a Flash digital edition of a book.
Film & Music | TACOMA, WASHINGTON


-Are you ever afraid you will run out of inspiration and creativity in your job?


No.


-What is the most difficult thing in your job? Making my voice sound good and deciding on how to approach the musicianship are difficult.


-What is the most fun part of your job?


Probably just throwing the spaghetti at the wall and seeing how it sounds all together (is the most fun).


-Do you expect your way of writing songs to change in the future?


I am always changing: Every time I try to write a song, I start with a blank canvas, and anything is possible.


-Do you follow any philosophical or psychological approach in making your music?


You have to embrace anything, whether good or bad, and you have to play the cards how they are dealt to you. Also, I like to just be honest with myself; if that takes me to a dark place, that’s where it needs to go.


-Do you like art? Do you have any preferences for an artist? And/or for creators of artistic work (can also be a chef, designer, photographer, fashion designer or inventor)?


Absolutely! Without art, we might as well all get lobotomies or turn into robots. I have preferences for sure -- the main one is art that showcases people being themselves. Nothing is more annoying than someone who tries to do only what is popular. I don’t mind when someone does something that is influenced by a style, but it needs to be coming from their heart. You can smell those people a mile away, those who are trying too hard to be something they are not.


-If so, why is that? What special quality do you like in their work or personalities?


If a cook puts their heart into something, you’ll know when you taste it. Maybe it tastes like crap to a lot of people, but at least it’s not Hamburger Helper.


22 | Eyes in


“It is essential for music to be used in different mediums. I really want to explore cinematic music as well as maybe even doing a soundtrack for a book.”


-In which way do you think film, art and music are different and/or similar?


They are similar in that the person who creates them has to have some kind of life experience to help them make it real. I think there is an element of industry that threatens all of them. Music has the ability at times to have multiple meanings, and I see the same thing in a lot of art, especially paintings. I was really happy with how our song was used in the trailer, it really shows to me that Chad has a real artistic sense and understanding. It took that song to a place that I hadn’t expected, which is really cool to see as the songwriter.


-Do you aspire to collaborate in your creations with an artist from another artistic discipline?


It is essential for music to be used in different mediums. I really want to explore cinematic music as well as maybe even doing a soundtrack for a book. I read Sherman Alexie’s Reservation Blues a few years back, and he wrote lyrics for every chapter. It would have been cool if he had a soundtrack that went with that book.


-Do you have a favorite company or exciting other creator with whom you would like to work?


I would love to work with Bob Dylan, U2 or someone like Peter Gabriel or Paul Simon.


-What is your favorite building in the world? The Lincoln Memorial because it reminds me about our history


-What is your favorite hotel?


I don’t think I have one. I like sleeping in my own bed every chance I get.


-Do you have a dream for the future? I would like to be successful at living in the moment.


www.eyesin.com


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136