Prinz magazine, February; Marilène Oliver: (Skulpturen) Highlights Kunst, tip Berlin page 102, February; Kunstforum International, page 230, February; Die Welt, 13th February; Marilène Oliver: Intimate Distances (R: Berg), Kunstforum International, vol. 169, page 230-231, March/April; Marilène Oliver: (Skulpturen) tip Berlin, March; Marilène Oliver: (Skulpturen) tip Berlin, April; Printmaking Today, page 10/11, Summer; Metro, Metro Life, page 17, 27th July; Evening Post, page 21 2nd September, page 3, 30th July; The Independent, The Information page 13, 24th July; The Guardian, The Guide, 21st August; Leonardo Magazine, Issue 37:5, Artist Statement, Autumn. 2005 - Daily Telegraph, page 19, 1st June; Evening Standard, page 18, 20th June; Eine Rekonstruktion des menschlichen Körpers (J. Schindelbeck), Speyerer Morgenpost, 10th October; Akt- Ein Spiegel persönlicher Wahrnehmung (S. Mertel), Die Rheinpfalz. 2006 - Michael Symmons Roberts, Catalogue Introduction, Beaux Arts; Prints Now by Gill Saunders & Rosie Miles, V&A Publication, Spring; Kunst Körperlich, Körper Künstlich, Osnabrück. 2007 - Diagnosis [Art] Contemporary Art Reflecting Medicine Wienand; research rca Royal College of Art; Rising Stars of the contemporary art world The Times, 28th June; Amelia Jones, Catalogue Essay, Beaux Arts.
Awards, Prizes & Commissions:
1999 - Now Vision, Cannon Photography Prize. 2001 - Alf Dunn Prize; Printmaking Today Prize. 2004 - Sound response by Max Richter to Intimate Distances. 2005 - Art meets Science Award, Highly Commended. 2007 - Matthew Hay Commission, The Suttie Centre, Aberdeen University; The London Original Print Fair Prize, Royal Academy of Art Summer Exhibition. Broadcasts, Talks and Presentations: 2004 - FAB (Fernsehen aus Berlin) Kultur-Check, Ausstellungsbeitrag, 22nd January; RBB Kulturradio (M. Groschupf), 3:15pm, 28th January. 2006 - Putting the bits and pieces back together again, RSA, 23rd November; The Great Lady. Discussion with Francis Wells, Museum of the History of Science, Oxford, 31st October. 2007 - Resurrecting the Digitised Body: The use of the ‘Scanned In’ body for making artworks. Presentation at Eva, London, 13th July; Leonardo’s Great Lady. Discussion with Marilène Oliver and Francis Wells, presented by Geoff Watts on Leading Edge, Radio 4, 26th July.
About BEAUX ARTS GALLERY
Marilène Oliver’s work can be found at Beaux Arts Gallery. The gallery opened on Cork Street in 1993, and over the past three decades, it has developed a reputation for exhibiting the best of Modern British and contemporary
painters and sculptors. The gallery’s focus is evenly divided between nurturing talent among the current generation of emerging artists -- selected for their innovative practices as much as the aesthetic qualities of their work -- and showing the work of established artists such as John Hoyland and John Bellany.
Directors Reg and Patricia Singh opened their first gallery in St. Ives in 1971, representing work by the St. Ives School, before opening Beaux Arts Bath in 1979. Some of these earlier artists’ works now form the core of the gallery’s substantial inventory of Modern British Art. Beaux Arts also represents the Estates of Terry Frost, Elisabeth Frink and Lynn Chadwick.
Beaux Arts
22 Cork Street, London W1S 3NA Tel - +44(0) 207 4375799 Fax - +44(0) 207 4375798 Email - info@beauxartslondon.co.uk
“The gallery’s focus is evenly divided between nurturing talent, selected for their innovative practices as much as the aesthetic qualities of their work.”