Feature
I started my tour of the show in the balconies, where the galleries of featured designers and schools display their craftsmanship. I wanted to admire the work and art of those with such dedication and skill, before I ventured into the world that makes it all possible. It was from there I could see the vast rows of exhibitors below, and it was quite an impressive sight to see. Hundreds of people milling around, purchasing fabric, beads, yarn, thread and more. Before throwing myself into the masses, I strolled the upper deck taking it all in. I found encouragement in what may lie within my own abilities when I discovered the Irish Patchwork Society’s display of beginners’ quilts. Tey only began learning and creating last January and here 9 months later I was gazing at completed, beautiful, and unique creations. Tree of the quilts were done by school children, proving that you can start, and excel, at any age.
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Hall Quilts exhibitor Louise Kelly told me, “It’s the heritage of the craft, the tradition and history, that makes us love what we do; teaching the next generation.” If that wasn’t enough to make me want to sit down right there and let her start teaching me, she then added with a laugh, “Plus, the act of quilting itself is just therapeutic.” I think everyone could use a little therapy once in awhile. What better added bonus to create something beautiful at the same time?
Excel at any age
Into the hustle and bustle of the vendors I ventured next, wanting to learn more about the process behind each craft. It was among these customers and vendors that I truly sensed the intense passion they have for their work. After spending time in this sea of artists - whether novice or pro - it was clear that the art of the craft itself is what makes them tick. I watched as they touched the fabric and ran beads between their fingers. Tey immerse themselves in their art and pass on their love and knowledge of it to others.
I approached the Mission Hall Quilts booth and I noticed how warm and welcoming the they are when conversing with their customers. My opinions of quilters, and craftspeople alike, were confirmed when Mission
Tere was no doubt behind the answer, so I snatched up a small design and purchased it on the spot.
Yet, the most interesting thing I discovered wasn’t a certain design, booth, or even the computerized sewing machine. In my time at the show, the friendship and camaraderie that comes with this hobby and profession permeates throughout. As if, like everyone is breathing as one. Even as a complete novice, I did not stand out. Rather, I was accepted the moment I stepped through the doors, and the only requirement to join this special club was to attend. Everyone seemed to know each other, giving advice, borrowing supplies, or chatting about their most recent endeavor. Tere was a buzz in the air. An almost visible radiance came with the excitement to be sharing something they love.
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It wasn’t just quilting that warmed my heart. At the Rowandean Embroidery exhibit, the displays were so expertly set up to appeal to beginners, as well as the skilled. Like many others in the building, I found myself touching the beads and threads. When I asked if someone like myself, who had never embroidered anything before, could complete one of the smaller, beginner pieces, I was met with an “absolutely.”
Volume 2 Issue 6 | Irish Quilting 93
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