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ARCHITECTURAL
project lighting design architect
Triple Bridge Gateway, Leni Schwendinger Light PKSP
72 BRIDGE
New York City Projects
USA
GATEWAY TO HEAVEN
LENI SCHWENDINGER HAS HELPED TO TRANSFORM A DESOLATE AREA INTO A DESTINATION
After more than ten years of com- es. Recalls PKSB lead principal illuminate the bridge structure
munity planning, design and con- Henry Stolzman: “We saw this and the area under the bridges
struction, the bus ramps above project as a rare opportunity to without interfering with ramp-
Ninth Avenue at 40th Street celebrate infrastructure and mass roadway lighting.
have been transformed into an transportation – transforming Linear fluorescents emphasise the
infrastructural public-art illumina- both into art and architecture.” I-beam webs and bolted plates.
tion installation that is delighting As the job grew in scope, facades Metal-halide CSI sources graze
residents, visitors, passersby and on both the west and east side the mesh scrim, and wallpacks
motorists. Created in collabora- of the street were incorporated wash the bridge coffers with light.
tion with the Port Authority of New - including replacement with A sculptural addition creates ‘a lu-
York and New Jersey (PANYNJ) titanium panels of the terminal’s minous room’. Pendant-mounted,
by the design team of PKSB brick façade, creating a new entry high-polish, adjustable reflector
Architects and Leni Schwendinger marquee and opening com- panels pierce the scrim. Metal-
Light Projects (LSLP), a formerly mercial storefronts to enliven the halide light sources on the east
desolate stretch of Hell’s Kitchen streetscape. and west walls of the underpass
roadway - shadowed by exposed The design process for Triple focus onto the panels that, in turn,
steel and concrete overpasses - Bridge Gateway began in cast reflected light patterns onto
now shimmers with colour-infused 1996. A series of mock-ups the street. The reflections unify the
light. and installations continued from existing lines and spaces of the
Notes lighting artist and designer 2001 through 2008. The design bridges, and accentuate move-
Leni Schwendinger: “Instead of a choices - metals, lighting and ment and animation as cars pass
place to rush through, our team color pattern - were conceived as underneath.
has created a destination - a emphasis for the bridges’ I-beam A computer-sequenced illumina-
PKSB TEAM:
dynamic urban oasis for the eye engineered structure. A chain- tion scheme brings this urban
Wayne Berg, Kentaro
and a visual landmark for the link containment system wraps sculpture to life with a weekly
Tsubaki, Henry Stolzman
community.” the sides and underside of each rotating schedule of visual com-
In 1994, Community Board #4 ramp. This highly-detailed stain- positions: LIGHT PROJECTS TEAM:
convened the Triple Bridge Task less-steel metal mesh works to • Chambers of Colour - This Leni Schwendinger, David
Force. Leni Schwendinger joined reflect and diffuse light, as well as formal composition focuses on
Lander, Jodi Geroux,
in this volunteer effort to solicit providing full-time maintenance the beam structure and corner
Charles Cameron, Eric
neighbourhood input and create access. shapes.
Chenault
design guidelines for aesthetic The lighting fixtures were selected • Spectacle - A bright and bold
renovation of the bus ramps. In for their capacity to withstand composition.
LIGHTING SUPPLIERS:
collaboration with the PKSB team, vibration and extreme weather • Reflections - Creates a connec-
ETC, Kim Lighting, Hess
Leni Schwendinger Light Projects conditions. Unique mountings tion of the street and the bridges’
America, Holophane,
LTD won the PANYNJ-invited were designed to achieve site- underside through volumes of
competition to design architectur- specific effects from industrial reflected light on the roadbed.
Insight Lighting, Let There
al improvements to the overpass- fixtures. Multiple light sources www.lightprojectsltd.com
Be Neon, Lithonia, Thorn
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��;�{� �xn��M ����� �h Triple Bridge Gateway1于始计设的 996。年 de Hell’s Kitchen, autrefois laissée à l’abandon, brille
��t� �� �� I���t�� �ihl �<�qw�\TAM�o{l�s��t  一系列模型和设置建设从2001年一直持续 aujourd’hui de toutes les couleurs.
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�zM�hTqO�������� ���z�xt������ S��M��w� 到2008年。设计选择——金属、照明和色 Le processus de conception pour le Triple Bridge
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�D��M`{o��t �� �s=� �� 梁结构。链接式封闭系统将每条坡道的两 et d’installations fut testée de 2001 à 2008. Le choix
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 �w {� 时防护。照明设备经过挑选,具有耐受震动 nté d’harmonie avec la structure du pont. Un système
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portantes de chaque rampe. Cette grille métallique
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élaborée permet de refléter et de diffuser la lumière et
offre un accès permanent pour les opérations de main-
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Mp�)h FMM`T 经过十多年的社区规划、设计和建设,位于 tenance. Les éléments d’éclairage sélectionnés pour
,JUDIFO SPBEX��B��xzpZ���� 40大街第九大道之上的公交车斜道终于转 Après plus de 10 ans de concertation, de conception et ce projet ont été choisis pour leur capacité à supporter
�p`��� Z��M�y��Ty�p`w� 变为公共艺术照明基础设施,为居民、游 de construction, les rampes surplombant la Neuvième les vibrations et les conditions climatiques extrêmes.
M{o� 客、路人和驾乘者带来愉悦享受。与纽约 Avenue au niveau de la 40ème rue ont été transformées
5w\ SJQMF #SJEHF (BUFXBx�Z���w P由并建创作合局务港西泽新及 KSB Archi - en une installation publique d’illuminations artistiques
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� Gz����t � w��rsw tectsS和 chwendinger Light Projects (LSLP)的 pour le plus grand plaisir des résidents, des visiteurs,
DEUTSCH

� �^x�  �T� p � � Z� 设计团队设计,这条以前废弃的Hell’s des passants et des automobilistes. Créé en collabora-
rs�������`o ��f����z {h� Kitchen公路——笼罩在外露钢筋和水泥立 tion avec l’Autorité Portuaire de New York et du New Nach mehr als zehn Jahren Gemeindeplanung, Design
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