Mondo*arc

ARCHITECTURAL
project
Grand Canal, Hangzhou
68 EXTERIOR
CHINA
trajectory of the Grand Canal columns set out at regular inter- far away, indicate the invisible by the boats, depending on the
in the nocturnal scenery. The vals on the banks and near the presence of the Grand Canal. level of water. The luminous cylin-
coloured light also reveals the river in order to create luminous The traditional architecture is part der changes colour according to
different depths and forms of the reflections on the water. These of the Grand Canal landscape the seasons.
banks, showing all the monumen- translucent light fittings equipped and history and is very obvious in
tality of the site. with white light fluorescent lamps various vistas. It is all illuminated THE BRIDGES
The natural humidity present on (3000K) look golden white in with a gold white light that en- The Grand Canal section in
the site and the real fog that very comparison with the blue-green hances and highlights in particu- Hangzhou is crossed by more
often rises from the Grand Canal coloured mist in the background. lar the beautiful pagoda-shaped than 20 bridges of different peri-
at nightfall amplifies the man- A large section of the railing is roofs in nighttime views. The pil- ods, sizes, heights, materials and
made lighting effect and produces already lit on both riversides using lars or walls are also illuminated colours. They are a varied part
strong emotions for visitors and small recessed ground fittings. to give the structures a sense of of sightseeing especially during
tourists. The blue green mist This delicate lighting gives a good material being in the nighttime a boat trip and they cut the canal
enhances the elegant profile of visual scale to the bank. These landscape. Each corner of the perspectives into very different
the Grand Canal in a romantic, fittings have been kept but modi- roof has a traditional red lantern sequences. All the various existing
sensible and mysterious atmo- fied to take long-life LEDs (3x1W, equipped with a fluorescent lamp. lightings are changed to white
sphere that looks like a Chinese 3000K). lighting to harmonise the canal
wash painting. THE CANAL INTERSECTIONS landscape on a large scale. This
At dusk, this mist of light is con- THE LIGHTING OF MODERN The Grand Canal is crossed and white illumination beautifies the
veyed like luminous waves from AND TRADITIONAL ARCHI- linked to numerous smaller canals shapes and the structures of the
South to North following the flow TECTURE that have little water cascades, bridges in a way that is totally
of the Grand Canal. During the There are many parallelepiped lapping water and old footbridges natural and devoid of artifice.
night, the mist of light becomes modern buildings near and at the intersections. The lighting The lighting is focused on the two
static and then slowly fades out around the Grand Canal site. project emphasises and signals sides of the bridges, leaving the
around midnight. They are strongly present in the the presence of these beautiful under parts and vaulting com-
In addition, some major trees on day-to-day urban landscape. views with lighting. The footbridg- pletely in the dark. This darkness
the banks, mainly located near Coloured luminous vertical es and cascades are systemati- will preserve the nocturnal views
the water, are enhanced with a frames are installed on the higher cally illuminated. over some distance.
static warm white light (ceramic sections of these buildings (visible Luminous poles equipped with
metal halide lamps, 3000K) and from very far away) especially LEDs (6x3W blue and 6x3W am- MILESTONES, RHYTHMS AND
in a natural manner to increase on the facades overlooking and ber) are installed in the water to SEQUENCES
the contrast with the coloured sur- parallel to the canal. These verti- draw attention to the complex ca- On first seeing the Grand Canal,
roundings. cal frames stand in the Hangzhou nal system. They shed light down it is impossible to imagine the
skyline as virtual paintings and onto the turgid water, creating incredible history and size of this
THE PEDESTRIAN AND RAIL- give structure to the nighttime beautiful reflections on the black man-made construction. The
ING LIGHTINGS views. They create a poetic and surface. The translucent cylinder, lighting will help to draw the
The paths and promenades are lit geometric landscape that seems encased in a metal frame, floats attention of the tourists to this
continuously by luminous Chinese to float above the water and, from and moves with the wash created amazing story.
°[ÆÌ `{²pÃhqT\
¯›”^bq 有的美感、纪念性、特别性、布局以及 de la vue nocturne du Ying Yue au Gouverneur et
JAPANESE
`Oxh
°osql›Ì\‘zxt” 建筑和景观的丰富性。照明设计者不希 aux habitants d’ Hangzhou en septembre 2008. Le
GtoX`áOp{hœd‡K“÷w U ;点景饰装光灯用望,反相光灯用望希们他 but du projet consistait à révéler la beauté existante

œŸO$ºÂmËæ¦
Q« °›Ì
¯p q 。能潜大巨与涵内的景夜河运大现体 du site, son identité, son aspect monumental, sa
åw 4Ì -z“˜ tŒ:X›” ° {`bTphwhl disposition, sa richesse et son agencement dans le
”¼ ÌéÓïã³”áæ¹çÌ»”Äw paysage. Les concepteurs ne voulaient pas décorer
;IPOHUBJ -JHIUJOH (SPVMQzx
S
Î FRANÇAIS
G“‘áO °”wh˜ÌtçÄ”Ýé©
CHINESE
le site. Au contraire, ils voulaient que les lumières
expriment les qualités intérieures et le grand po-
,Š-Ð›*h7`z 4®LU› ”b| Fin 2007, Zhongtai Lighting Group, un fournisseur tentiel du Grand Canal.
7`Ot{h‡µ‘•”’¹MsŠ{‘æ 2007年底,当地政府要求位于杭州的整 de solutions basé à Hangzhou a été mandaté par
;z“I‘ POHUB$JzxPODFQUP °Ì
ƒ-µ 体照明解决方案提供商中泰照明集团为 le gouvernement local pour étudier les possibilités
Ÿ›ÇØçÆ4~`”ß‡´é z“‘¦´» 10公里长的大运河景点研究开发照明总 d’éclairage d’un site de 10 kilomètres de long situé
DEUTSCH
”»”¥¢w`oqÄïÝ
táÇÞx`{h 体计划,并实现最终效果。中泰利用其广 sur le Grand Canal, et pour réaliser les effets ﬁnaux.

Hp«”ëÓ”µÅ„$ïåo•’Œt 泛的国际资源,邀请到了Concepto照明设 Puisant dans ses importantes ressources interna- Ende 2007 ist Zhongtai Lighting Group, ein An-
°SÌz“,Š-
:th X Vol˜‡ R的室作工计 oger Narboni,因室作工该 tionales, Zhongtai invita Roger Narboni, du studio bieter von Komplettlösungen für Beleuchtung aus
°wÍ¿Ìé”äq¤%w=`{h ù 其重大的水面景观设计工作能力而闻名 d’éclairage Concepto, célèbre dans le monde en- Hangzhou von der lokalen Regierung beauftragt
zxåDT•z^‰’ åD 于世,并具有照明总体规划的丰富经验。 tier pour son travail avec les paysages aquatiques worden, das Gesamtkonzept für die Beleuchtung
7xt 4$ŒÌÄ -zt
w :t‘ JOH 这一中国和欧洲照明文化的结合开始于 monumentaux et reconnu pour son expérience der 10 Kilometer langen Stätte vom Grand Canal
: °ÄVÌï -ãF´ `÷`{hq‡î› 2008年1月,并最终于2008年9月向杭州市 importante dans l’éclairage. Le mélange des cul- zu untersuchen und den Endeffekt zu realisieren.
èwh$Pzx
™ UÞ
’mË`z^ 长和人民成功献上“映月夜景”照明效 tures Européenne et Chinoise fut lancé au début Mit seiner großen Auswahl an internationalen Res-
zÄ ¢ž è zŸÂŸÂïÃ
QÄ ïžÝáÇz 果。联合照明方案的目标是体现该处原 de janvier 2008 et s’acheva avec la présentation sourcen hat Zhongtai Roger Narboni von Concepto
Page 1 | Page 2 | Page 3 | Page 4 | Page 5 | Page 6 | Page 7 | Page 8 | Page 9 | Page 10 | Page 11 | Page 12 | Page 13 | Page 14 | Page 15 | Page 16 | Page 17 | Page 18 | Page 19 | Page 20 | Page 21 | Page 22 | Page 23 | Page 24 | Page 25 | Page 26 | Page 27 | Page 28 | Page 29 | Page 30 | Page 31 | Page 32 | Page 33 | Page 34 | Page 35 | Page 36 | Page 37 | Page 38 | Page 39 | Page 40 | Page 41 | Page 42 | Page 43 | Page 44 | Page 45 | Page 46 | Page 47 | Page 48 | Page 49 | Page 50 | Page 51 | Page 52 | Page 53 | Page 54 | Page 55 | Page 56 | Page 57 | Page 58 | Page 59 | Page 60 | Page 61 | Page 62 | Page 63 | Page 64 | Page 65 | Page 66 | Page 67 | Page 68 | Page 69 | Page 70 | Page 71 | Page 72 | Page 73 | Page 74 | Page 75 | Page 76 | Page 77 | Page 78 | Page 79 | Page 80 | Page 81 | Page 82 | Page 83 | Page 84 | Page 85 | Page 86 | Page 87 | Page 88 | Page 89 | Page 90 | Page 91 | Page 92 | Page 93 | Page 94 | Page 95 | Page 96 | Page 97 | Page 98 | Page 99 | Page 100 | Page 101 | Page 102 | Page 103 | Page 104 | Page 105 | Page 106 | Page 107 | Page 108 | Page 109 | Page 110 | Page 111 | Page 112 | Page 113 | Page 114 | Page 115 | Page 116 | Page 117 | Page 118 | Page 119 | Page 120 | Page 121 | Page 122 | Page 123 | Page 124