Mellanox networking, specified to meet the post house’s specific requirements. The pixstor system currently has six workstations
attached to it; two Autodesk Flames, two FilmLight Baselights and two Assist systems, with the capacity to add further workstations quickly and easily. It connects Films at 59’s Avid network, Storage DNA archive system and Object Matrix nearline storage together, seamlessly integrating it all in a single global namespace for maximum efficiency, visibility and usability.
us efficently manage the costs of fast
performance of the pixstor system lets
“The tiered
allocating super-fast storage to the most demanding pojects.”
bandwidth storage, Andy Farmer
Senior Engineer Films at 59
Andy Farmer, Senior Engineer at Films at 59, said, “With an expansion in high-end broadcast, we are seeing an increasing volume of files from production companies, and pixstor helps us to manage them in a really simple way. What’s more, its tiered performance lets us efficiently manage the costs of fast bandwidth storage, allocating super-fast storage to the most demanding projects and setting policies for sequential 4K, and in the future 8K, content. With access to a heat-map that visualises files, we’ve gained real insight to help us
develop our storage strategies and that’s a real payoff in managing the costs of projects, both internally and for our clients.”
With its continued success, Films at 59 is now looking to expand its pixstor system to meet its growing 4K workload and remain agile with 8K on the horizon.
“Films at 59 is both a technical and creative trailblazer in post- production and we’re proud to support their team as they continue to deliver stunning 4K
programming” said Ben Leaver, CEO of pixitmedia. “With pixstor we’ve gone beyond storage to deliver a workflow-focused infrastructure that empowers our customers to take on demanding any-K projects, create award-winning work and evolve their business.”
For more stories of how we’ve helped the world’s leading creative organisations do their best work, visit:
www.pixitmedia.com
Image courtesy of Films at 59
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140