TOP 50 FACILITIES 50
SURVEY
10
HALO
halopost.com Noel St, Dean St, Wardour St, Berwick ST, Brewer St, London md Marcus Bayley fac mgr Lewis Townley genres TV, film credits Welcome To Earth, Motherland S3, The Surgeons Cut services audio (5.1, 7.1, Foley, ADR, Atmos HE + T), grading (HD, 4K, HDR), editing PRODUCER 9th PEER 5th
Motherland
Halo says that staff working from home looks like a change wrought by Covid that is here to stay. “We’re being very flexible and where people have a need - or just a desire - to work from home, we are pretty chilled. All of the creatives can work from home and if they’re unattended it may just save them time and money to stay at home - that said, lots just want to be in town.”
11
COFFEE + TV
coffeeand.tv Broadwick Street London ceo Derek Moore md Leonie Moreton genres TV, ads, corporate, promo, film credits Freesat Live Life Free; BBC Sport The Hundred (titles), Betfair Cash Out services audio (stereo) grading (HD,4K,HDR), vfx (2D, 3D, animation), editing, restoration PRODUCER 18th PEER 7th
Betfair: Cash Out
In January, Coffee & TV celebrated becoming a Certified B Corporation. “B Corp recognised the studio for its award-winning company culture, passion for a sustainable planet, and a relentless focus on all stakeholders,” it says. Also “advertising and content creation is booming, we have never been busier and we are no longer constrained by the size of our Soho studio. “
12 CLEAR CUT
clearcut.cc,
editstore.tv London, Birmingham md Rowan Bray gm Karla Lucas tech dir Jess Nottage genres TV, film, corporate, credits Panorama, Britain’s Busiest Airport, Sudden Death: My Ssiter’s Silent Killer services audio (stereo,5.1,7.1, Foley, ADR), grading (HD,4K, HDR), vfx (2D, 3D, animation), editing, TV studios PRODUCER 15th PEER 15th
Clear Cut recently achieved the DPP Sustainability Award. “We believe we are the first mainstream post house to achieve this recognition which is aimed firmly at the tech sector.”
13 SPLICE
splicepost.com Shoreditch, Old St md Richard Folley genres TV, film credits All or Nothing: Tottenham Hostpur, 9/11: One Day in America, MasterChef: amateurs, celebrities and professionals services audio (5.1, 7.1 Foley, ADR, Atmos HE + T), grading (HD,4K,HDR), editing PRODUCER 13th PEER -
Splice says the”standout development since October last year is the ongoing consolidation of our remote services into an elegant and powerful remote post production ecosystem”
14 UNIT
unit.tv Berners Mews, London md Ian Luxford fac mgr Laurence Tatler genres ads, TV, promos, film credits No One Gets Out Alive, Axe (TV Commercial), Lipton (TV Commercial) services audio (Stereo, 5.1), grading (HD,4K), vfx (2D, 3D, animation), editing PRODUCER 30th PEER 25th
Unit says it has experienced a “huge explosion in long- form, which our team have really enjoyed working on.” But with more and more streamer content, this “has introduced new challenges in recruitment.”
15 TIME BASED ARTS
time-based-arts.com Old St, London md Tom Johnson fac mgr Nora Parker genres ads, TV, films, promos credits Encounter Amazon/ RAW,
Super.Human Channel 4, Faster Brings Us Closer Virgin Media services grading (HD,4K, HDR), vfx (2D, 3D, animation) PRODUCER 3rd PEER 5th
TBA says it’s been great to deliver more feature work alongside ads.and deliver the same service as they do for short form - “that is working closely with the directors and having a key role in authoring the creative element of the vfx.”.
Panorama
911: One Day in America Winter 2021 F32
No One Gets Out Alive
televisual.com
Super.Human
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140
