SURVEY
FACILITIES 50 TOP FACILITIES
TVC SOHO
tvcsoho.com Great Pulteney
DE LANE LEA
www.wbsl.com/de-lane- lea Dean Street, London fac mgr Michael King genres film, TV credits The Crown S4, Wonder Woman 1984, Devs services audio (5.1, 7.1 Foley, ADR, Atmos HE + T), grading (HD, 2K, 4K, HDR) vfx (2D) editing,TK (HD, 2K, 4K) 2019 ranking 15 PRODUCER - PEER 24th
WARNER BROS. Devs
Warner Bros. De Lane Lea says it’s proud of its ability to “succesfully complete and deliver major series and tentpole features during lockdown.” It says “the switch to combined on-premises and remote working” has been “significant” at the high end as “remote working brings its own challenges to workflow (eg HDR vs SDR grading).”
St, London md Marc Collins fac mgr Simon Ward genres TV, film credits A World of Calm, The Railway, Mediterranean Odyssey services audio (5.1,7.1, Foley, ADR, Atmos HE), grading (HD,2K, 4K, HDR), vfx (2D, 3D), editing, TK (HD, 2K, 4K), restoration, hire, studios, 3D, VR 2019 ranking 40 PRODUCER 30th PEER -
TVC Soho decided to remain bullish through the pandemic. “We have undertaken a large expansion of facilities, trebling final post capacity” with a “5,000 sq ft expansion in central Soho.”
UNIT
unit.tv Berners Mews, London
mds Ian Luxford, Kevin Docherty fac mgr Laurence Tatler genres ads, TV, promos, film, corp credits Tom & Jerry, Avenue 5, Dulux Meateor services audio (Stereo, 5.1), grading (HD,2K), vfx (2D, 3D), editing 2019 ranking 8 PRODUCER 37th PEER 24th
Unsurprisingly, revenue was down though the summer, says Unit, but there are opportunities ahead as “the streamers’ content race means a large volume of work on the TV side”. And remote work has opened up new clients, and new talent, from overseas.
A World of Calm
Avenue 5
VINE FX
vinefx.com Clarendon Road,
Cambridge md Laura Usaite facility manager Michael Illingworth genres TV, corp credits War of the Worlds, Soulmates, The One services vfx (2D, 3D, animation) 2019 ranking -PRODUCER - PEER -
Last year, Vine put all its artist workstations into a data centre, so “unintentionally we were prepared for the Covid-19 crisis. It allowed us to hire more artists and operate efficiently during the lockdown. We were lucky to have projects that were already in post-production.”
VIRTUAL POST
virtualpostproduction.com
Percy St, London md Jon Lee fac mgr Becky Rothwell genres TV, corp, promos credits Huey Morgan’s Latin Music, The Nolan’s Go Cruising, Stacey Dooley Investigates services audio (stereo,5.1, ADR), grading (HD,2K,4K,HDR), editing 2019 ranking - PRODUCER - PEER -
Virtual Post has reacted to the pandemic with it currently “migrating our entire infrastructure to the cloud, which will provide dynamic capacity, scale and flexibility to current market demands.”
WEST DIGITAL
westdigital.co.uk Goldhawk Rd,
London, mds Darren Cock, Peter Zacaroli facility manager Paul Wilkes genres TV, corp, film credits Return to Belsen, Inside the Spitfire Factory, Victorian Britain on Film services audio (stereo, 5.1, ADR), grading (HD,2K,4K, HDR), vfx (2D, 3D, anim), editing, hire 2019 ranking 44 PRODUCER - PEER 17th
It’s been tough, says West Digital, but “we’re more efficient now than before. We’ve actually managed to improve the way we work. We’ve nailed down processes and become more flexible.”
YELLOW MOON
yellowmoon.net Holywood, Co
Down, NI md Greg Darby fac mgrs Clare Campbell genres Film, TV, corp, ads credits Dublin Murders, Marcella, Line of Duty services audio (stereo,5.1, Foley, ADR), vfx (2D, 3D), editing, 2019 ranking - PRODUCER 14th PEER -
Taking the positives of COVID, Belfast’s Yellow Moon says “things that we thought had to happen onsite can now happen very successfully offsite and things that previously had to happen in London can now happen anywhere…. in Belfast, in Glasgow or Cardiff.“
Soulmates
Huey Morgan’s Latin Music Winter 2020 F37
Return to Belsen
televisual.com
Marcella
Win-
tele-
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133