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FACILITIES 50 TOP FACILITIES
THE FARM
farmgroup.tv London,
Bristol, Manchester, Salford LA, Vancouver, Copenhagen md Séamus MacCormaic genres TV credits The Third Day, Formula 1: Drive to Survive S2, Spitting Image services audio (5.1, 7.1, Foley, ADR, Atmos HE), grading (HD,2K,4K,HDR), vfx (2D, 3D, anim), editing. 2019 ranking 4 PRODUCER 1st PEER 3rd
Spitting Image
A year of consolidation for The Farm, “settling into our new family as part of Streamland Media” as well as with “ramping up our expanded facilities in Bristol and Manchester.” A shortfall in scripted work due to the pandemic was “offset by non scripted Covid related work.”
FRAMESTORE
framestore.com London;
NY; LA; Chicago; Mumbai IA, TV, Immersive Lottie Cooper global film Fiona Walkinshaw film UK Lucy Killick genres film, TV, ads, corp credits Jingle Jangle, His Dark Materials, Bodyform #Wombstories services audio (5.1) grading (4K,HD,2K), vfx [2D, 3D, anim], editing,restoration, hire, studio, 3D, VR 2019 ranking 3
His Dark Materials S2 PRODUCER 10th PEER 1st
For a company the size of Framestore, moving its teams to WFH “was an achievement and a testament to the amazing technology teams we have in house,” it says. It also aunched a studio in Mumbai as well as its new PPS department too.
FIFTY FIFTY
fiftyfiftypost.com D’Arblay Street,
London md Sally Pacy fac mgr Alex Meade genres TV credits Jack Whitehall: Travels With My Father S4, Gordon, Gino and Fred: American Road Trip, Amazing Animal Friends services audio (5.1, Atmos HE), grading (HD, 2K, 4K, HDR), vfx (2D), editing 2019 ranking 34 PRODUCER 18th PEER 10th
After a big investment in Dolby Vision and Dolby Atmos, Fifty Fifty has now delivered “three large scale Dolby Vision, HDR and Dolby Atmos projects to Netflix as well as other platforms in the last year.” It had WFH set up in a week and used furlough to avoid any redundancies.
FILMS AT 59
filmsat59.com Bristol; Cardiff
md Gina Fucci business director George Panayiotou genres TV credits McDonald and Dodds, A Life on Our Planet, Tiny World services audio (5.1,7.1, Foley, ADR, Atmos HE), grading (HD, 2K, 4K, HDR), vfx (2D, 3D), editing, TK (4K,2K,HD), film restoration, hire 2019 ranking 11 PRODUCER 30th PEER 7th
“It has certainly been technologically challenging,” says Films At 59. “Moving our whole facility to working offsite meant some long days for our technical teams” and some projects have moved into 2021 but it still managed to remotely finish “two major 12-part UHD HDR series to an SVOD.”
FITZROVIA
fitzroviapost.com Gresse
Street, London md Keiran Brown genres TV, corp, ads, film credits It’s Pony, Seven Worlds One Planet, The Tiger Who Came To Tea services audio (5.1, Foley, ADR) 2019 ranking - PRODUCER 49th PEER 24th
There have been big changes this year as “Fitzrovia has had a complete leadership team, studio, talent and kit revamp.” And while sound mixing and VOs are not the most remote- working friendly, it says “we have adapted to this new way of working for now” and has “relished the chance to partake in flexible working.”
FREEFOLK
freefolk.com Wardour Street,
London mds Fi Kilroe, Vittorio Giannini fac mgr Stacey Palmer genres ads, TV, promos credits Cursed, The Third Day, Warburton Goodbagels services grading (HD, 2K,4K), vfx (2D, 3D, animation), editing, 2019 ranking 28 PRODUCER 43rd PEER 13th
Freefolk managed to deliver “200 complex vfx shots for Netflix’s Cursed right in the middle of lockdown, working remotely” while also delivering “a couple of commercial projects which had already been shot. It says “it’s been a bumpy ride but balancing both sides of our business has allowed us to weather the storm up to this point.”
Gordon, Gino and Fred
Tiny World Winter 2020 F31
The Tiger Who came to Tea
televisual.com
Cursed
Win-
tele-
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