TOP FACILITIES FACILITIES 50
SURVEY
GLASSWORKS
glassworksvfx.com
London, Amsterdam, Barcelona ceo Duncan Buxton fac mgr Tasha Laranjo genres ads, film, promos, TV credits Dolittle animated sequence, Edinburgh Gin Filled with Wonder, Penny Christmas Doesn’t Need Much, Only Love services grading (HD,2K,4K,HDR), vfx (2D, 3D,
Edinburgh Gin Filled With Wonder
anim), editing 2019 ranking 11 PRODUCER - PEER -
Glassworks says March saw the cancellation of projects linked to sporting events but “by May things started to pick up and all three studios were working efficiently and productively out of the office.”
HALO
halopost.com Noel St, Dean
St, Wardour St, Brewer St, London md Marcus Bayley fac mgr Lewis Townley genres TV, film credits The World According to Jeff Goldblum, Run, Dolly Parton: Here I Am services audio (5.1, 7.1, Foley, ADR, Atmos HE + T), grading (HD, 2K, 4K, HDR), editing, 3D, VR 2019 ranking 9 PRODUCER 8th PEER 7th
Run
Halo says that “up to this point, the impact has been less severe than at first feared.” and that’s down to “having had a full pipeline of work when lockdown happened, it has kept us busy throughout the summer months and into Autumn. We need production to kick off properly in order to maintain that momentum.”
GORILLA
gorillagroup.tv GloWorks, Porth
Teigr, Cardiff md Rich Moss genres TV, film credits Doctor Who, Gavin and Stacy Christmas Special, Traitors services audio (stereo, 5.1, Foley, ADR), grading (HD,2K, 4K, HDR), vfx (2D, 3D, animation), editing, hire, TV studios 2019 ranking 18 PRODUCER 30th PEER 24th
Gorilla says it has “completed and booked in far more HETV drama series than ever before.” The pandemic has led to it setting up a remote edit division and “we see this expanding in 2021. We have permanently set up our Animation and VFX business remotely reducing space overheads.”
PARK STUDIOS
gramercyparkstudios.com Gt Pulteney Street, London + NY md Richard Ireland HoP Kit Lawson genres ads, promos, corporate credits Volvo/Sky Atlantic The Birdman, TikTok A Little Brighter Inside, Vodafone Curiosity services audio (5.1, 7.1, Foley, ADR), grading (HD, 2K, 4K), vfx (2D, 3D, anim), editing 2019 ranking 36 PRODUCER - PEER -
GPS opened in NY pre lockdown and was due to start expansion in London. “We’re now reassessing how to shape the facility, business and processes to best serve clients, to create the best work and the best-working environment for our talent.”
GRAMERCY
ITN POST
itnpost.com Grays Inn Rd,
London md Olly Strous fac mgr Sam Hardy genres TV, corp, ads credits History 101, For Sama, Dancing on Ice services audio (5.1, 7.1, Atmos HE), grading (HD, 2K ,4K, HDR), editing 2019 ranking - PRODUCER - PEER 24th
Just pre lockdown, ITN Post was “putting the finishing touches to our latest phase of physical growth. An additional 8 suites + Dolby Atmos HE Studio” as it moved to be an external post house rather than just an in house resource. The pandemic means it now fully expects “to be offering a hybrid experience here on out.”
JAM VFX
jamvfx.co.uk
Newman Street, London mds Jordan Andreopoulos/ Mark Robinson genres TV, ads credits End of the F***ing World 2, Worzel Gummidge, All Creatures Great and Small services grading (4K), vfx (2D, 3D, animation), editing 2019 ranking 47 PRODUCER 37th PEER -
Jam VFX says the pandemic has had a “massive impact with reduced workload and huge shift in budgets and client demands” but on the upside is encouraged by “much more longform content being produced by smaller production companies.”
Gavin and Stacy Christmas Special
The Birdman
For Sama Winter 2020 F32
televisual.com
The End of the F***ing World S2
Win-
tele-
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133
