search.noResults

search.searching

dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
TOP FACILITIES FACILITIES 50


SURVEY


CLEAR CUT clearcut.cc 1 Springvale


Terrace, London, Newman Street; Bloomsbury Street, Bayley Street, Birmingham md Rowan Bray tech director Jess Nottage genres TV, film, corporate, credits Inside The World’s Toughest Prisons (Emporium / Netflix); The School That Tried To End Racism (Proper Content/C4); VE Day (BBC Studios Live Events/BBC1) services audio (stereo,5.1,7.1, Foley, ADR), grading (HDR, HD,2K,4K), vfx


Inside the World’s Toughest Prisons


(2D, 3D, animation), editing, TV studios, VR 2019 ranking 16 PRODUCER 9th PEER 24th


Clear Cut recently announced a major new investment in Editshare technology across the group and only in October announced a partnership with audio house Aquarium that saw Aquarium moving into Clear Cut premises with Clear Cut giving “scale and support” to allow it to expand.


BOOM boompost.co.uk Berwick


St, London, W1F 8RQ mds Lee Walpole, Martin Jensen, Stuart Hilliker genres TV, film credits Chernobyl, The Crown, The Aeronauts services audio (5.1, 7.1, Atmos HE, ADR, Foley) 2019 ranking - PRODUCER 43rd PEER 13th


An up and down year for Boom, winning “three of the four nominations in the Sound Fiction category at this year’s BAFTAs” for Chernobyl, The Crown and A Christmas Carol. But COVID has meant “we will have lost half our turnover for the year due to filming shutting down.”


CHEAT cheatit.co Richmond Rd, London


E8 ceo Frida Nilsson Founder/ MD Toby Tomkins genres TV, film, ads, corp, promos credits I Am Not Okay With This, The End of The F***ing World, Lloyds Bank Epic Journey services grading (HD,4K,HDR),editing 2019 ranking - PRODUCER 16th PEER 24th


Cheat became part of the Netflix Post Partner Program and delivered three Netflix shows. It says that now “the adoption/expansion of remote technologies has opened up many more opportunities for global expansion.”


CINELAB cinelab.london Slough, md


Adrian Bull fac mgr Roger Harlow genres TV, ads, promos, film credits Small Axe, No Time To Die, John Lewis Edgar the Excitable Dragon services audio (stereo, 5.1), grading (HD, 2K, 4K, HDR), editing, telecine (HD, 2K,4K) film restoration 2019 ranking 45 PRODUCER - PEER 24th


Cinelab says “An increasing number of clients are choosing to shoot on film as their creative medium of choice. We have increased the processing and scanning of 65mm, 35mm, 16mm and S8 year on year.”


CINESITE cinesite.com Medius House,


Sheraton Street, London md, London Melissa Taylor genres TV, films credits The Addams Family, The Witcher, Avenue 5, No Time to Die services vfx (2D, 3D, animation), 3D 2019 ranking 27 PRODUCER - PEER -


Cinesite says that “due to the intense technical requirements of vfx, it was believed it couldn’t be done from home. However, when the situation was forced, it proved possible, ushering in a new era for us. We’ve figured out ways to communicate and build relationships without being able to meet around a table.”


Chernobyl


The End of The F***ing World


Small Axe Winter 2020 F28 televisual.com


No Time To Die


Win-


tele-


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133