search.noResults

search.searching

dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
PRODUCER POLL FACILITIES 50


SURVEY


04=


ETC Electric Theatre Collective takes


joint fourth position this time in the Producer Poll with its clients praising it for “fostering amazing new talent,” with others also picking out ETC for having the “best colour graders and onlining.” More of its producer fans pick it out for its work rate saying the company “always goes the extra mile and is a great collaborator on any project.” Another client says ETC “works hard and delivers good results” while others say it’s “at your service 24 hours a day with a smile, and goes over and above to ensure the final product is incredible.”


04=


MPC In at joint fourth in this year’s


Producer Poll is The Moving Picture Company with its clients saying, unsurprisingly considering it’s behind The Lion King, The Jungle Book and the upcoming The One and Only Ivan, that its “3D VFX is out of this world, especially animals.” MPC’s operators across the board are described as “talented” with other producer clients pointing to the sheer “scale” of MPC as a distinct pull. And, as it operates across film, episodic and commercials it also wins praise for its “breadth of work.”


06


MOLINARE Broadcast and film house


Molinare, that also has audio specialist Hackenbacker under its umbrella, gets sixth place in the Producer Poll in this year’s Facilities 50 survey, with clients praising the post house for its “good talent and production management staff.” Others also pick out Molinare for its staff, praising its “good technicians” and describe the facility as “supportive.” Molinare, with many big movies and episodic shows under its belt, leads one client to say “for film and drama they are cutting edge.”


HOW IT WORKS The producer poll is collated


from three separate Televisual surveys in which we ask hundreds of producers to


name the post houses they use and rate the most. Broadcast


producer votes come from the latest Production 100 survey, commercials producer votes


from the latest Commercials 30 and corporate producer votes from our latest Corporate 50


(nb. as it was not possible to run our annual Corporate 50 survey this year, Corporate Producer votes are taken from the 2019 survey


07 TIME BASED


ARTS Its seventh spot for TBA with clients citing it for its “original approach and artistic quality” as well as its “perfect VFX.” Others point to its “attention to detail” and say it is “great to work with.” One client says that “everything they do is superb” while another says of the company: “They always produce amazing work and their service is bespoke. They choose carefully, over deliver and work with amazing talent.”


08 HALO It’s the eighth spot in the Produc-


er Poll for Halo again this time with clients picking it especially for being “very flexible” and for “really sticking by projects.” Others also point to a “good customer experience,” at the company, describing it as “flex- ible, and accomodating.” Other producer fans say of Halo that it works on a “good spread across all genres and has reasonable pricing.”


09 CLEAR CUT Clear Cut Pictures, which now


houses The Edit Store and has bases in Shepherds Bush, Bloomsbury and Fitzrovia as well as Birmingham makes it into the number nine spot in this year’s Facilities 50 Producer Poll. Its clients vote for the post house on the back of its “service, competitive pricing and technical support” while other producer fans send votes its way for being “convenient and helpful.”


10 FRAMESTORE In tenth spot in this year’s


Producer Poll is Framestore. The vfx and post powerhouse spreads its work across commercials, movies and episodic TV with recent credits including two seasons of His Dark Materials, upcoming Netflix movie Jingle Jangle and Bodyform’s #Wombstories. Its producer clients laud it for its “ideas and originality” and describe it as “experimental and world class.”


ALL PRODUCERS


01 The Farm 02 The Mill 03 Envy 04= ETC 04= MPC 06 Molinare 07 TBA 08 Halo 09 Clear Cut 10 Framestore


TV PRODUCERS


01 The Farm 02 Envy 03 Molinare 04 Halo 05 Clear Cut 06 Technicolor 07 Yellow Moon 08 Evolutions 09= Serious Facilities 09= Suite TV


COMMERCIALS


01 The Mill 02 ETC 03 MPC 04 Time Based Arts 05 Framestore 06 Absolute 07= Black Kite Studios 07= Coffee and TV 09 Untold Studios 10 No.8


CORPORATE


01 Coda 02 Envy 03 The Mill 04 Cheat 05= Bravo 05= Splice 05= Unit 08= Framestore 08= Molinare 08= MPC 08= The Farm


Winter 2020 F14 televisual.com


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133