caribbean


LOVEFOXY


LORD JUICE IS A CULTURAL STATEMENT. Identity, Visibility, and House Music


Few artists have risen with the raw speed and personality of LOVEFOXY. In the space of four years, she has gone from Berlin’s underground to playing Boiler Room, Berghain, Tomorrowland, Awakenings, and a Paris residency at Badaboum. Yet milestones are only the surface. Her new EP, Lord Juice, distills what sets her apart: house music with bite, tracks that feel like living characters, and a stage presence that turns DJing into physical theatre. As the daughter of a Berlin club pioneer and a POC woman determined to write her own story, LOVEFOXY steps into ADE not just as another breakout act but as an artist staking out her manifesto, bold, unfiltered, and impossible to ignore.


THE MAKING OF LORD JUICE


LOVEFOXY’s new EP, Lord Juice, doesn’t feel like just another release. It’s the moment she draws a line between her past and her future. Where her debut Burning Down The Sluthouse served as a classic house introduction, Lord Juice dives into something grittier, bolder, and far more personal.


“I feel like I definitely evolved between my last EP and this one. BDS was a classic house record, and I wanted to be introduced as a producer. In the process, I didn’t fully plan it to be anything specific; I was experimenting with ideas and directions, which resulted in numerous drafts. Parking ideas for a while is a great way for me to see if it still slaps. With this EP, I felt more drawn to gritty and fun statement pieces. A fun, well-rounded mix of everything, et voila, the Lord Juice EP!”


Her storytelling instinct is clearest in “Just Not Cute” and “On Da Table,” two tracks that balance sass, humor, and raw energy in equal measure. They don’t just play as bangers; they act like characters in the room.


“A track for me should always tell a story, and this was the first time I played around with samples of my own voice. Especially ‘On Da Table’ was intended to tell the story of me climbing on each table that allows it, to celebrate with everyone in the room. The lyrics are quite clear and punchy and have a direct message and sass to them. The music is there to underline a certain energy in these cases – it’s sassy, fun, and hard-hitting.”


Tracks like Just Not Cute and On Da Table are more than party anthems; they’re snapshots of her character. They blur sass, humour, and raw energy into something both playful and sharp.


190


AUTHOR: SERGIO NIÑO PHOTOGRAPHY: MILENA ZARA


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