caribbean
“I grew up around music. My dad’s a DJ. I learned quickly how to take things seriously.”
“I feel lucky that I knew what I wanted to do from such an early age. That gave me a sense of purpose from the beginning. But I’m still learning how to balance everything and enjoy the ride.”
The conversation around touring and artist well-being has been louder than ever in recent years. Broos
self-care, but she makes room for it. Her routines are small, mana- geable, and private. Phone calls after shows. Time with friends. Long walks
They don’t make it to social media, but they keep her aligned.
Earlier this year, she joined a two-week expedition through Patagonia. It wasn’t for content. It was for clarity.
“You have to let go of everything and just keep moving forward. It clears your mind in a way nothing else does.”
“That kind of stillness, without any pressure to do something or be someone, is so valuable.”
This is what makes Amber com- pelling. She’s busy, but not frantic. Her bookings are rising, but her identity is stable. She’s not addic- ted to movement. She knows when to pull back.
“When I was younger, I said yes to everything. I didn’t want to miss a single opportunity.”
“But over the years, I’ve realized that constant output can kill inspiration. I still love being busy, but I also know I need to make space to recharge. The fun I have behind the decks is one of my strengths. Protecting that fun means taking care of myself.”
That same honesty carries into her upcoming B2B with Juliet Fox at ADE, hosted by Mixmag. On paper, it’s a bold pairing. On a dancefloor, it’s a smart one. Amber is looking forward to the tension, the release, and the shared control.
before soundcheck. doesn’t preach about
“Juliet is someone I admire a lot.” “Playing back-to-back with her
going to be a fascinating challenge. It’s about trust, listening, and letting go of control. I’m looking forward to that exchange of energy.”
Behind the decks, she’s in charge. But away from the booth, she’s open. She asks herself real ques- tions. Is she evolving fast enough? Is she playing it too safe? Has she settled into patterns? These aren’t press-friendly questions. They’re private ones. And that’s precisely why she asks them.
“When everything quiets down, I often ask myself if I’m still pushing my sound in the right direction. Am I still curious?”
“It’s not about doubt. staying open.”
It’s about
She doesn’t talk much about goals in the traditional sense. When she does, they’re framed around people, not metrics. She wants to help more girls feel seen in the industry. She wants to mentor others, the way her dad mentored her. The mission isn’t about standing out. It’s about crea- ting access.
“I want to support other young artists, especially girls who don’t always see a space for themselves in this scene.”
“My dad taught me how to DJ and believed in me from the beginning. That made a huge difference. I want to pass that on someday.”
What you get with Amber Broos is clarity. No gimmicks. No mytho- logy. Just an artist with a strong compass, a clean sound, and a clear sense of what matters. Growth, for her, isn’t always visible. Sometimes it’s just how you handle decisions.
“I want people to remember
energy. Not just the music, but that feeling in
where everything clicks and you feel truly alive.”
the room. The moment the is
This scene rewards speed. But Amber Broos is choosing direction and longevity. At 22, she’s figured out what many
and stays there. It’s retro in textu- re, modern in attitude, and entirely uninterested in validation. That, in itself, is a statement.
She’s not trying to rebrand techno. She’s not selling a revival or a concept. She’s focused on energy.
Not the BPM kind, but the emotional kind. The type that lives in a room when everything lands just right.
That precision is what sets her apart. She doesn’t use her age as a narrative crutch. She uses it as a tool. Her connection to Belgian club history isn’t theoretical. It’s in her muscle memory. And yet she’s already moved past proving she belongs.
What this story reveals is a new kind of artist. Not just a DJ who can fill a slot, but someone who understands architecture, how to build tension, how to hold space, how to release it with purpose. In interviews, she doesn’t pontificate.
She reflects. She’s comfortable with silence and careful with her words. That same approach shows up in her music. It’s not flashy. It’s intentional. And that’s why it works. In a time where everything is optimized for the algorithm, Amber Broos is optimizing for longevity.
It locks into a groove
decades to learn: the real power comes from restraint. Her
EP on Arcane doesn’t scream for attention.
artists take new
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