caribbean
Takeoff isn’t a label, it’s a worldwide movement
SPACE 92
In just a few years, Space 92 has gone from underground whispers to the biggest stages on Earth, rewriting what peak-time Techno can sound like and how far it can travel. 2025 has been the year where the fuse finally hit the powder: Ultra Miami, EDC Vegas, Tomorrowland Belgium and Brazil, all conquered with the same arsenal of Sci-Fi drenched anthems that turned him into Beatport’s best-se- lling driving Techno artist of all time.
He isn’t just headlining festivals, he’s redefining what headlining means. Tomorrowland Belgium left him in tears on stage, a raw moment that cut through the lasers and fireworks to reveal an artist still stunned by the scope of his own journey. That vulnerability is key to understanding him. Behind the distortion and acid, there’s a human story of persistence, risk, and a refusal to settle for “normal.”
With his label TAKEOFF already sitting at number four worldwide after only six releases, and collaborations stretching from Maddix to Malena Narvay, Space 92 has proven he’s more than a festival phenomenon. He’s a builder, an instigator, a connector. And if 2025 was the launch, then what lies ahead is nothing short of orbital.
A LANDMARK YEAR
2025 will go down as the year Space 92 stopped chasing the dream and started living it. Ultra Miami, EDC Vegas, Tomorrowland Belgium and Brazil, the holy trinity of global dance culture, all ticked off in one sweep. These aren’t just gigs, they’re the stages where legends are minted. And he’s not there as support. He’s headlining with a sound that’s entirely his own.
“2025 has been an incredible year for me so far. Performing at each of the world’s three biggest and most prestigious festivals was, not so long ago, a dream I never thought would come true. I actually broke down in tears on stage at Tomorrowland Belgium. I was so tense and focused that it took me a good while to pause and take it all in. And when I did, I started crying uncontrollably. It was the best set of my life. I am very proud of everything that’s been achieved this year.”
TAKEOFF: A ROCKET LAUNCH
If the festival run was proof of Space 92’s global pull, the launch of TAKEOFF was the sign of his long-term vision. In less than a year, the label has already broken into the top 5 worldwide, something most imprints spend a decade chasing. And it didn’t happen with hype cycles or big-budget campaig- ns; it happened because the music landed like a meteor.
“I had a very clear vision of what I wanted and how I wanted to convey it. I also had a few huge bangers in my pocket. The first three TAKEOFF releases (‘Offbeat’, ‘Orbit Motion’, and ‘Formula Loca’) were all Bea- tport Techno PT/D Top 3 hits and remained forever on Spotify as well. ‘Orbit Motion’ scored us our first Beatport Number 1.”
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AUTHOR: SERGIO NIÑO PHOTOGRAPHY: YAKIND
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