caribbean
Sound, spirit, and the art of presence with KTK
“In the end, I see my artistic journey as an ongoing experiment, a space to play, feel, transform, and discover new ways to channel energy and emotion.”
Berlin might be overflowing with techno talent, but KTK is carving out her own constellation. Rooted in her Greek heritage and fueled by cosmic vision, she blends hypnotic techno, subtle psytrance elements, and minimal bounce into high-energy journeys that shift between groove and gloom. Her sets feel less like performances and more like rituals, where dancers are guided through darkness and light with a precision that is both intuitive and deliberate.
Her rise has been fast but intentional. From appearances at Creamfields and Teletech Festival to regular slots at RSO and Tresor, KTK has already stepped into the spotlight of the international scene. Support from figures like Anetha and KI/KI, plus standout releases such as her debut solo EP Echoes From Syrius on Misguided, show an artist who refuses to follow the obvious route. Instead, she sharpens her identity through sound design, a spiritual approach to creativity, and a lifestyle that balances the intensity of touring with a focus on health, clarity, and well-being.
In conversation, KTK is open about the deeper layers of her artistry. She reflects on what drives her connection to listeners, how she prepares for the chaos of the stage, and the way mindfulness and spirituality shape her creative flow. She speaks candidly about sustaining energy as a touring artist, staying authentic in a fast-moving scene, and the projects that are now shaping her future. What emerges is a portrait of an artist not only building momentum but also defining her own philosophy in real time.
IDENTITY
There is something deliberate about the way KTK approaches her craft. Her sets are not built for background noise or passing moments; they are designed to pull people into a heightened state where groove and energy feel like more than just music. For her, sound is inseparable from philosophy, and identity is something that develops as much on the inside as on the dance floor.
“I would describe my artistic identity as existing somewhe- re between techno and trance, faster BPMs, complex yet straightforward rhythms, always hypnotic and energetic. Perhaps leaning slightly more toward techno, though that depends on perspective.”
“For me, it’s not just about the sound itself but about the state of consciousness it can create. It’s about presence, the way music can shift awareness and open space for something deeper. Over time, my artistic identity has grown beyond the music into a lifestyle. Spirituality, awareness, and high-energy living are not only values I try to capture in my music but also principles I carry into daily life, some days more successfully than others, which is part of the journey. This depth has developed over the years. My approach was always spiritually charged, but initially, it was too abstract to grasp fully. With time and daily practice, the link between my music and my inner world has become clear. Now it feels inseparable music, mindset, and lifestyle are part of the same identity, coming straight from the soul.”
That inseparability is what fuels her process. She is not interested in churning out tracks on autopilot. For KTK, producing is about intuition, empathy, and knowing when the flow is real.
“What motivates me most when producing is tuning into my intuition and letting emotions lead the way. Even be- fore starting, I can usually sense whether it will be easy to connect that day or whether my mind is too occupied with other tasks. For me, producing is never mechanical; I have to be in the right state of mind to create something meaningful. That’s why I try to make music every day, even if it’s just for ten minutes. After those first minutes, it becomes clear either the flow takes over and I keep going, or it’s simply not the day, but at least I’ve tried and stayed connected to the process.”
“In the early stages in the studio, I avoid overthinking and simply imagine what I’d love to hear on the dance floor. When an idea clicks, I feel an instant rush of energy, warmth in the chest, that physical spark. That’s when I know others will catch the same euphoria, and from there it’s about refining the details (and I pay A LOT to that) so the track can truly resonate.”
“When DJing, the approach is similar, but the context is different. Empathy is everything. I’ve spent countless hours on the dance floor myself, eyes closed, completely immersed in sound, so it’s easy for me to switch perspecti- ves and sense what the crowd needs in the moment. Cer- tain rhythms and textures have a particular effect on the body and mind, and I love to explore that. My goal is always to create a shared state of presence, a space where peo- ple can let go, connect, and feel something deeply within themselves, yet at the same time beyond themselves.”
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AUTHOR: SERGIO NIÑO PHOTOGRAPHY: DANNY LA VEGA
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