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anthony godfather


That drive to break molds is what keeps him at the forefront of Latin Tech. He recognizes himself as a pioneer, yes, but he’s not willing to be pigeonholed. For him, evolution is inevitable, almost a vital need.


“I’ve always liked not sticking to just one sound. Now I’m exploring how to fuse Latin Tech with boricua house. A dream would be to work with artists who inspire me a lot, like The Martinez Brothers, Gordo, or Cloonee. My musical language keeps evolving, aiming to surprise and show who I am without filters.”


And if we talk about CACAO, the project that was born as a party among friends and now moves as a global manifesto, Anthony is clear: they’re just beginning to show their true po- tential.


“We already have a label. With CACAO Records we’re supporting artists of the genre and already have residencies in Madrid, Seville, Mallorca, and Málaga. We’ve taken the concept to Italy and now we’re heading to the UK, the Netherlands, and Germany. The truth is, I’m living a dream.”


HORIZONS


Despite all he’s conquered, Anthony Godfather talks about the future as if he were just starting out. Latin Tech is his flag, but what drives him is the feeling that there’s always a new stage to conquer, a collaboration to take him to another level, a crowd that hasn’t yet felt that instant connection with his sound.


“I feel like this is just beginning. I still have a whole world to conquer with my sound, and playing with The Martinez Brothers would be a dream come true. And if we talk about stages, I’ve always dreamed of Circoloco… it’s my favorite party and a place where I know the music takes on another dimension.”


It’s not about a checklist of achie- vements, but about pushing a vision forward. Quiet in the Crowd opened a more personal chapter, CACAO conso- lidated as a movement, and now what’s next is expansion, collaboration, and a future vibrating with the same intense pulse that started it all: the freedom to sound different.


What doesn’t always appear on the surface of the interview is Anthony Godfather’s true reach right now. Quiet in the Crowd is not just a studio album, it’s a statement that places him in a different space within electronic music: an artist who combines vulnerability with dancefloor impact.


It’s also a reminder that you can be a club weapon while also building a cinematic narrative that strips down the artist behind the alias.


At the same time, CACAO has stopped being a party to become an ecosystem.


We’re no longer talking only about a series of roaming nights, but about a platform that integrates a label, fixed residencies in several Spanish cities, and expansions toward Italy and soon Germany, the UK, and the Netherlands.


In every


that Latin Tech is not a trend, it’s a culture with its own visual, sonic, and emotional codes.


What also weighs heavily is Anthony’s ability


to move cultural borders.


Bringing a genre with Latin roots to Ibiza, Madrid, Amsterdam, or Buenos Aires means adapting to each context without losing identity, something very few have achieved. His dream collaborations, like with The Martinez Brothers, and his goals of stages like Circoloco, are not fantasies, they are logical steps in a path already opening doors beyond the traditional territories of techno and house.


In this sense, Anthony Godfather is not just writing his own story, he’s setting the roadmap for a new generation of artists who understand the dancefloor as a space of community, not labels.


Quiet in the Crowd and CACAO are pieces of the same puzzle: identity, risk, and the certainty that being different is precisely the engine that moves everything.


The conclusion is clear. Anthony doesn’t want to fit in, he wants to transcend. And with every track, every showcase, and every vision he brings to life, he proves that Latin Tech is not an appendix of global electronic music, it’s a new language, expanding.


What’s coming is not an uncertain future, but an open horizon that he himself is designing beat by beat.


edition, CACAO confirms


101


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