74
strong. Sunday 15th
Jack Lowe’s Lifeboat Station Project. Five years and still going
March was the turn
of RNLI Dart to be photographed using Victorian photographic methods. We were station number 150 out of 238 to be visited in what is an amazing project and is taking up Jack Lowe’s life!
So why did it take so long to take
four photos? Watching the process unfold it is evident that the method of creating a 12x12 inch glass plate photograph is exceptionally task focussed and time consuming. He is travelling around the coast in ‘Neena’ – a converted ambulance and mobile dark room. ‘Neena’ smells a little of the chemicals which are used in the developing process, and is perfectly set up to assist in the process from blank glass to a wonderful and incredibly sharp photograph. Firstly Jack set up the camera with the desired shot and briefed those involved. We were asked to look natural, not grimace, to lean against something so that we were not moving and enjoy the moment. He then had to tweak the camera again – checking it is level and the light requirements satisfactory, which was not easy on a cloudy, often rainy, day. The photograph was taken by
removing the lens cap from the front of the tripod mounted camera for about 5 seconds. He then took the frame back to ‘Neena’ and developed the photograph under the watchful gaze of the crew involved. Photos were taken of the station
crew, helms, crew and the female volunteers. Jack talked to many of the crew and reading his blog it appears that he does this with every station in an attempt to learn as much as he can about the RNLI volunteers. The crew at RNLI Dart are looking forward to seeing the finished products and showcasing the photographs on the wall of the lifeboat station in Coronation Park.
Above: Photographer Jack Lowe - The Lifeboat Station Project is a documentary project about the lifeboat volunteers, for the lifeboat volunteers. Jack works as the Victorians used to, making the photographs on glass from his mobile darkroom.
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100