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tural merit, the quality of build; I look for the passion for the shed,” he said. Witmer “put so much effort into it,” Wilcox said. The shed, which has a loft, rises to a tow-


ering 12 feet, though its flat roof drops eight inches in a bow to both drainage and attitude. Like a cocked hat, there’s a jauntiness about it.


[ AN ANTIQUARIAN ATMOSPHERE ] O


n the surface, the shed that Doug Dupin has built in Palisades is entirely different from Witmer’s. Wooden boards, silvered by the weather, form a square beneath


a pitched roof of corrugated steel. In winter, wisps of woodsmoke tumble from the chimney and catch the nostrils. It seems like a 19th- century shack you might find on the nearby C&O Canal towpath, instead of a 21st-centu- ry offering in the midst of a city lot. Within, Native American artifacts and a few fossils forge an even stronger link to the neighbor- hood named for its perch above the Potomac River. Here, Dupin, who spent the past few


months working temporarily for the Census Bureau, has established the Palisades Museum of Prehistory. Display cases and shelving house dozens


of spear points and arrowheads, flint imple- ments and pottery shards that he has collected literally beneath his feet and elsewhere in Pali- sades as touchstones to a human society and way of life along these shores that today is rare- ly considered. Some of the objects date back nearly 9,000 years, but with the help of archae- ologists and reference books he has dated most from 1500 B.C. to 500 A.D. “It’s not the Smithsonian, but for the neigh-


borhood it’s a great record of what used to be here, a pretty active spot for Indians,” he said. Many of the pieces he excavated are of a rock called rhyolite. This is native to the Catoctin Mountains, suggesting that the people who fashioned these weapons moved south to the Potomac annually for fishing or trading, Dupin said.


Dupin’s shed, for all its antiquarian atmo-


sphere, has strong links to Witmer’s. Built by and for the sheddie owner, it is fabricated from simple or recycled materials with the environ- ment and the purse in mind. The siding is wood from rough-cut oak pal-


lets normally used as shoring for construction. “I ran it through a table saw,” he said, and the exterior seams are covered with three-sided strips of wood to form a classic board and bat- ten construction. The roof, in part, is a green roof of plants, the chimney is fashioned from rebar, and the joists came from old lumber re- moved from his house when it was enlarged. Dupin seems to have intuitive powers of scale.


The shed has delicious exterior proportions, the width, the height, the pitch of the roof, the depth of the eaves and the placement and size of the windows all come together perfectly to reinforce the feeling of rustic beauty. Inside, that same serendipitous golden mean comes into play. You could spend an afternoon in here in relaxed conversation with friends, forget the passage of hours and consider it time well spent. Much of the comfort derives from the organic nature of the space. The interior walls are, simply, burlap sheets doped with paint, spackle and iron oxide. Track lighting brings a modern touch. On my first visit, with February’s snow still thick out- side, a small potbelly stove radiates warmth. My eye is drawn to a bizarre wheeled con- traption that dangles above a hatch. On the


20 The WashingTon PosT Magazine | September 19, 2010


Owners Doug Dupin and Rebecca Cooper


Location Palisades


Style Rustic


Floor area 392 square feet


Highlights Partial green roof, potbelly stove, basement


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