SYBIL TEMTCHINE
Producer
TALenT DeVeLoPMenT ProGrAM:
Producers Lab
CUrrenT ProJeCT:
Audrey (Narrative Feature)
LOGLINE
As Audrey waits and waits and WAITS in a busy Los Angeles bistro for that make-or-break third date with
Gene, the potential love of her life, she is forced to face her demons by circumstances both real and
hilariously unreal, and in the end, quite remarkably, fi nds something much more important: herself.
BIO
Sybil Temtchine comes to Audrey on the heels of starring opposite Ving Rhames as the edgy, Lt. Emily
Patterson on USA Network’s Kojak and starring in Steven Peros’ Footprints and The Undying, both due out
in Spring 2009.
Temtchine began her career as both producer and star of Ten Benny, opposite Adrien Brody, which premiered
at the Sundance Film Festival and was released worldwide. Two years later, she starred once again opposite
Adrien Brody in Restaurant, which takes an unfl inching look at racial issues in a busy Hoboken Eatery. Soon
to follow was a starring role in Chris Menaul’s Emmy-award winning Showtime Original Feature, The Passion
of Ayn Rand. The fi lm, which premiered at the 1999 Sundance Film Festival, also stars Helen Mirren, Peter
Fonda, Julie Delpy and Eric Stolz. Temtchine then went on to star opposite Amanda Peet, Jerry O’Connell,
and Tara Reid in New Line Cinema’s Body Shots; opposite Skeet Ulrich in the ABC series, Miracles; and then
in Steven Bochco’s HBO series Marriage. She can also be seen starring in Sony Pictures’ release of The
Cavern.
Returning to her producing roots, Temtchine wrote, produced, and starred in the short fi lm, Piece A’ Cake,
which made its world premiere at the American Cinematheque’s Egyptian Theatre in Los Angeles. Piece
A’ Cake reunited Temtchine with its award winning director, Dean Pollack. The two had previously worked
together in Dean’s debut feature fi lm, Show & Tell, for which Dean received a Blockbuster Independent
Filmmaker Award.

e.
co
m
l@
au
dr
ey
th
em
ov
i
CO
NT
AC
T
:

sy
bi
77
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94