JAN ELIASBERG
Producer/Director/Writer
TALenT DeVeLoPMenT ProGrAM:
Producers Lab
CUrrenT ProJeCT:
Heart of the Atom (Narrative Feature)
LOGLINE
Heart of the Atom is a love triangle linking three people whose lives are swept up in one of history’s most
dramatic moments: the birth of the atomic bomb. Heart of the Atom is a love triangle linking three people
whose lives are swept up in one of history’s most dramatic moments: the birth of the atomic bomb.
BIO
Jan Eliasberg is a director, screenwriter, and a novelist. Eliasberg’s script W.A.S.P. tells the story of the female
pilots who, for the fi rst time in history, trained to fl y military aircraft. Eliasberg’s The Gemcutter is a magical
family fi lm, a fairy tale in the tradition of A Little Princess. Eliasberg has written two music-driven fi lms: Mi
Corazon for New Line with Jennifer Lopez attached and Heart ‘N Soul (Jerry Weintraub, producer) for Warner
Brothers.
Eliasberg holds an MFA in Directing from the Yale School of Drama, where she mounted critically-acclaimed
productions of Macbeth, Aristophanes’ The Birds, the American premiere of Brecht’s Saint Joan of the
Stockyards, and Ibsen’s Peer Gynt at The Public Theatre, the Manhattan Theatre Club in New York City, Yale
Repertory Theatre, and South Coast Rep.
Eliasberg began directing fi lm as the recipient of a grant from the AFI’s Directing Workshop for Women. Her fi lm,
The Doctor, starring Lukas Haas, won many festival awards and attracted the attention of Michael Mann, who
picked Eliasberg to be the fi rst woman to direct the iconic Miami Vice, as well as Crime Story.
Eliasberg was producer, writer, and director of the acclaimed NBC/Warner Brothers series Sisters. She created
the dramatic series Special Investigations, for ABC/Warner Brothers, and the dramatic series Spirit of St. Louis
for CBS. She has directed pilots for one-hour dramatic series for CBS, ABC, and NBC, as well the fi lm Past
Midnight, starring Rutger Hauer, Natasha Richardson and Clancy Brown, for New Line and USA Network. She
has won the Dorothy Arzner Award, the NAACP Award, and the Imagen Award.
qui
nn
ah
fi l
ms
.c
om
CO
NT
AC
T
:
ja
n@
a
28 28
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94