SCOTT MACAULAY
Producer
TALenT DeVeLoPMenT ProGrAM:
Fast Track
CUrrenT ProJeCT:
Dynasty (Narrative Feature)
LOGLINE
A middle-aged couple decides to get out of their credit card debt by killing a black bear and selling its
gallbladder on the black market.
BIO
Scott Macaulay is a New York-based producer and the Editor-in-Chief of Filmmaker Magazine, the leading
American magazine devoted to independent fi lm. As a producer and along with his partner, Robin O’Hara,
and his production company, Forensic Films, Macaulay has produced or executive produced many award-
winning features. They include: Peter Sollett’s Raising Victor Vargas; Harmony Korine’s Gummo and julien
donkey-boy; Alice Wu’s Saving Face; Tom Noonan’s What Happened Was and The Wife; Jesse Peretz’s
The Chateau’ Bryan Barber’s Idlewild; John Leguizamo’s Undefeated’ and James Ponsoldt’s Off the
Black. As a company, Forensic Films has been involved as a co-producer in several European productions,
including Olivier Assayas’s Demonlover and Clean. In 1998 Macaulay and O’Hara were the recipients of an
Independent Spirit Award for their producing work in independent fi lm.
As the founding editor of Filmmaker magazine, Macaulay directs the editorial content of each issue as well
special issues and sections such as the annual “25 New Faces of Independent Film.” He is also currently
co-editor of FilmInFocus, Focus Feature’s site for movie lovers, and sits on several industry boards, including
the Toronto Film Festival’s Industry Center and the Rotterdam Film Festival’s CineMart. Prior to his work in
fi lm, Macaulay was the Programming Director of The Kitchen Center for Video, Music, Dance, Performance,
Film and Literature.
ma
il
.c
om
ot
tm
ac
au
la
y@
g
CO
NT
AC
T
:
sc
52 52
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94