083
Jar Lamps James Shaw
Big Bling Penelope Batley
Graduating from the Royal College of Art in 2009, Penelope Batley’s lighting pieces, such as the Big Bling necklace light and Chandelier Earring lights, won her the Sir Terence Conran Foundation Award. Shaped like giant jewelry they blur the boundaries between design, art and craft.
www.penelopebatley.co.uk
James Shaw has created these shades and side lamps from reclaimed glass jars. The jars are finely sandblasted and holes are drilled in the lids to take standard lamp fittings and allow heat to escape. They can be used as pendant light shades or occasional lamps.
www.jamesmichaelshaw.co.uk
Daisy Beate Einen Glass & Design
A free-blown, clear glass bubble forms the body of this pendant light from Be- ate Einen Glass. 36cm in diameter it has fabric flowers embedded in the glass.
www.beateeinenglass.no
Paper Lanterns Paula Arntzen
Paula Arntzen’s collection of hand- made, high-quality, paper lanterns are designed for interior spaces. Incisions in the multiple layers of paper give the lamp a natural and voluminous shape.
www.paulaarntzen.nl
Aros arturo alverez
Designed to evoke heavenly bodies spinning around in ‘an endless, timeless dance’, Aros comprises strips of poly- propylene moulded in different ways to obtain large graceful volumes. They of- fer a fresh look and emit a warm light.
www.arturo-alvarez.com
Anemoi Jay Watson
Anemoi luminaires are available in five colours and form part of the Corian Illumination series. Light transmits through this material, imparting a beau- tiful glowing colour while the coral-like skeletal shape casts a spiral of shadows across the ceiling.
www.jaywatsondesign.co.uk
Still Nathalie Dewez
With Still, Nathalie Dewez solves the prob- lem of illuminating an area that doesn’t sit directly under an existing light fitting. The pendant acts as a mobile that can be gently positioned as required, above a reading chair or dining table. The whole lamp slides very simply in the T point that holds it while a counterbalance slides up the body to adjust the angle at which the bar tilts.
www.n-d.be
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132