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PROJECT / SAFFIRE RESORT, TASMANIA, AUSTRALIA


that glows to provide ambient light. The adjacent lounge is generally lit by indi- vidual floor standards that have a focused projection of light to the seating groups. The bar itself is lit from above by simple black surface mounted adjustable halogen fixtures.


The ‘prefunction’ space on level one is lit by semi recessed downlights where the lamp is heavily masked to comply with the rationale noted elsewhere. A boardroom adjacent is a multi purpose space, and accordingly combines lighting from pendants, down lights, decorative wall washing (halogen) and functional wall washing (fluorescent). A control panel provides a range of scenes to meet the various uses of the room. Light- ing scenes are also coordinated via the AMX system.


The spa is generally low lit to create intimate mood. At reception, lighting is a mixture of feature floor light and integrated display lighting. Circulation is lit by a varia- tion of the lift wall light – custom designed wall bracket light. In the treatment rooms lighting is indirect, and separately control- lable for various ‘scenes’. Flush recessed CFL wall lights provide a soft feature to the walls, with additional illumination from linear fluorescent lighting integrated into the joinery.


There are twenty individual suites at the resort that are all very luxurious. Great emphasis was placed on maintaining discreet methods of illumination, in combination with decorative fixtures.


The ceiling is clear of any lighting; general illumination is provided by a LED linear source mounted to the top of a main wall on one side, washing the ceiling. Other illumination comes from joinery integrated lights and FFE items. An LED marker light provides night light access to the bath- room. In the shower a feature is provided by light integrated with the shower head, so light is transmitted through the water cascade. Each suite has a deck that features a custom designed ‘lantern’ that integrates


die Verknüpfung zum Meer wider. Saffire wurde auf dem Standort eines ehemaligen Caravanparks er- richtet, am Rande des Nationalparks in Tasmanien. Der Architekt beabsichtigte, die Reinheit der Umwelt in einem frischen, modernen und reinen Designstil widerzuspiegeln. Die Innenausstattung wurde durch die natürliche Umgebung inspiriert, eine unberüh- rte Küstenlandschaft - “Küstenfreiheit”. Die australische Praxis PointOfView wurde in einer frühen Phase beauftragt, das Beleuchtungsdesign zu übernehmen. Es war wichtig, die Beleuchtung an die Architektur anzupassen, so dass die Gebäude und die umliegenden Bereiche kohärent und bes- chaulich zusammenpassen. Großer Wert wurde auf die Integration gelegt – Einbau der Beleuchtung in die Architektur und die ID Elemente. Die Beleuch- tung wurde sorgfältig ausgeglichen, Licht und Schatten sind aufeinander abgestimmt, um einlad- ende und private Plätze zu schaffen. Das Licht wird umsichtig eingesetzt.


an in-ground uplight with a decorative wire element. Diffuse light is reflected across the deck avoiding visible light from the Coals Bay township.


Lighting to the exterior is deliberately very limited in order to preserve darkness of the environment as much as possible. With the exception of modest lighting to a small planter bed at arrival (all downcast) there is no feature lighting of planting. The suite walkways are illuminated with a single 3W LED at 3m centres recessed into the canopy legs, aimed down and managed via presence detection. Some additional illu- mination is provided at each blade (service node). An uplight is contained by the canopy overhead so there is no waste into the sky. Custom ‘jewel’ glass bollards were devel- oped for key access ways into the build- ing. These are glass (9mm) cylinders with crushed glass inside. The fittings utilise a standard in-ground halogen uplight (35W IRC) and so the technical aspect is simple and proven.


Complementary walkways are lit by CFL in an asymmetric surface downlight. At the car park, an induction coil in the road activates the car park bollards from vehicular traffic. The bollards provide asymmetric downlight with no upward spill. An illuminated button provides pedestrian activation of these lights.


The entire lighting system is managed by Philips Dynalite dimmers and control. Scenes are generally time clock or presence man- aged, with over-ride panels at each area. A master touch screen panel is mounted at reception.


This careful blending of environment, structure and design has resulted in a build- ing which is both intelligent and inviting. This concept of light and shade typifies PointOfView’s lighting design of Saffire which won the 2010 IES Excellence Award. The purposeful application of light demon- strates that what you do not light is just as important as what you do. www.pov.com.au


ITALIANO


Disegnato dal premiato architetto tasmaniano Mor- ris Nunn e Soci, il Saffire è naturale di concezione, che riflette l’ambiente circostante e che evoca un legame con il mare, tramite riferimenti a onde, creature marine, dune di sabbia ed una forma flut- tuante, armonica. Il Saffire è costruito sul sito di un antico campeggio al margine del National Park in Tasmania. E’ stata intenzione dell’architetto quella di far sì che la purezza dell’ambiente si riflettesse in uno stile fresco, moderno e puro. Il design interno è stato ispirato dall’ambiente naturale, un paesaggio costiero immacolato – “libertà costiera”. La pratica australiana PointOfView è stata usata all’inizio per sviluppare il design delle luci. E’ stato importante che l’illuminazione fosse assimi- lata all’architettura così che le costruzioni e le zone circostanti fossero coerenti e tranquille. Grande


Project Details Saffire Resort, Tasmania Client: Federal Hotels & Resorts Architect: Morris Nunn & Associates / Circa Architecture Landscape Architect: Inspiring Place Interior Design: Chada Lighting Designer: PointOfView Photography: David Becker and Peter Whyte


Lighting Specified Harcroft SQUARELINE T5 Surface mounted 14W / 21W / 25W / 28W / 35W T5 fluorescent batten; Encapsulite T5 STICK-LITE; Modular K2 20W MR16 Fixed halogen downlight; Viabizzuno CUBO DOCCIA MEDIUM IP65 316 Stainless Steel shower light; Viabizzuno Bamboo Floor light; Eagle Lighting Tully Spot Surface mounted fixed low voltage down light in stair niches; Solus IP66 linear LED handrail light; Megabay VIENTO XT IP66 LED linear light; KKDC TIMI / MIMI LED linear light IP20 / IP66 LED linear light at suite bathroom vanities / IP67 LED linear light at L3 water feature lip & Spa exterior fence; Lucifer PUK LED Recessed LED PUK light; Lucifer DL5ZP-2W Recessed 12v 35W wall washer; Oldham Lighting CONTOUR INTERIOR High output 200mA low voltage cold cathode; Beta LED PATHWAY EDGE IP65 Ground mounted LED accent fitting; Diffuse ‘sapphire crystal’ bollard; DAB LAP B 35 IP66 Low level path marker; Intralux FLARE Recessed asymmetric compact fluorescent wall washer, c/w plaster board mount and trim kit; Fagerhult POZZO Recessed Circular T5; LTS Hero semi recessed fitting; Prolicht iPOINT SHORT Surface mounted fitting with adjustable spotlight; IBL Synergy 13W compact fluorescent Downlight; Artemide Rastaf Recessed Fixed 12V 20W / 35W / 200W pin-hole low voltage down light; Globe Hoss IP65 deep recessed 12v 20W downlight at suite entries; UEL Lighting 2.1 Volcano Deep recessed adjustable 12v 20W downlight at suite bedrooms; Masson MONDO BLOCK SURFACE MOUNT MINI Adjustable surface mounted downlight at L2 bar; ERCO LIGHTCAST DOWNLIGHT IP65 recessed adjustable halogen low voltage downlight at main entry; FontanaArte TOOBO PLANTANA / FLOOR Floor standing fitting for lounge; FontanaArte TOOBO TERRA 220 IP65 floor standing fixture for terraces; Light Force IP65 12V decorative feature for reflection pond; Catellani & Smith LUCENERA Floor standing lamp at Maitre’D desk; Catellani & Smith TERRA Twin lamp floor standing fixture at L3 lounge; Autoban Tulip F Floor standing lamp in SPA Reception; Luce Plan E04 SUSPENSION Suspended up/down fitting; BEGA SURFACE WASHER IP65 compact fluorescent single surface washer luminaire; Ruud Lighting DF SERIES: MR16 SHROUDED PROFILE + SURFACE MOUNT Exterior rated surface mounted adjustable spotlight; Targetti Exterior Vert Nano Pyros IP67 Surface mounted 12V 50W adjustable narrow beam spotlight, aimed to reflect light off reflection pond; Kreon MINI UP CLEAR Deep-recessed inground halogen uplight at L3 entry portal; Lumascape STAR II IP68 Corrosion resistant surface mounted to up light water cascade; Lumascape LS363 UPLIGHT IP68 Recessed in ground halogen up light; Lumascape LS575LED- 3H2 IP68 Recessed LED up light recessed into timber decking at Spa entry; Lumascape VEDI MINI POOL IP68 12V 3W recessed LED light, within Premium Suite Spa; Lumascape WEDGE Wall mounted down light at entry to suites; Advanced Lighting LS900+LS450 IP68 LED Stick; WE-EF OLV340 IP65 wall luminaire with forward throw distribution; Aldabra ARRAKIS R IP65 COLUMN recessed 3W 700mA LED; Aldabra ARRAKIS 30 IP65 WALL recessed 1W 350mA LED ‘night light’


CONTROL Philips Dynalite DR2P Master Control Panel For Main Building; Philips Dynalite REVOLUTION SERIES - Main Building And Premium & Delux Suites; Sensor Switch control sensors throughout


importanza è stata data all’integrazione – costru- endo la luce su architettura ed elementi ID. La luce è bilanciata attentamente; luci e ombre si intonano per rendere i luoghi invitanti e privati. La luce è stata applicata coscienziosamente.


ESPAÑOL


Diseñado por los galardonados arquitectos de Tasmania Morris Nunn y Asociados, Saffire es con- ceptualmente orgánico, reflejando el entorno de al- rededor, evocando una conexión con el mar a través de referencias a las olas, las criaturas marinas, las dunas de arena y una figura fluida, orgánica. Saffire está construido en el lugar que ocupaba un viejo camping para caravanas en la periferia del Parque Nacional de Tasmania. La intención del arquitecto fue que la pureza del entorno se reflejara en un estilo de diseño fresco, moderno y puro. El diseño interior fue inspirado en el entorno


natural, un paisaje costeño inmaculado - “libertad costeña”. Para llevar a cabo el diseño de la iluminación, se empleó el Punto de Vista Australiano desde el comienzo. Era importante que la iluminación se asimilara con la arquitectura de manera que las edificaciones y los espacios de alrededor fueran coherentes y tranquilos. Se depositó un gran én- fasis en la integración – construyendo la luz dentro de la arquitectura y los elementos de ID. La luz se encuentra cuidadosamente equilibrada; luces y sombras se sintonizan para crear lugares atractivos y privados. La luz está sensatamente aplicada.


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