FUTURE WORKFLOWS
POST
Over recent years, various reports extrapolated the inward investment in HETV work as exponential, although they have become more infrequent. The ever-increasing number of OTT services backed by the Hollywood studios looked unassailable and with a common language, a positive exchange rate and brilliant creative and technical talent firmly established, the UK market was set to be a major beneficiary. Continued growth was seen to be predictable, even guaranteed. With subscriber growth now looking less
predictable, the City starting to question subscription revenue forecasts and with consumer spending under ever-increasing pressure, this view is changing. How many subscriptions will a household maintain? Will we see consumer churn? And where is the subscriber growth?
I don’t believe it is all doom and gloom, that
we will see bust follow boom, but it is reasonable to suppose that the growth is even more finite than many of us had more conservatively hoped for. More relevantly the streamers now have greater financial pressure which in turn will impact the supply chain. And gone are the days of giving directors huge fees to realise their pet projects without scrutiny. The need for brilliant content and the best
production values working with the best artistic talent will not diminish. It will more likely intensify. It is a core part of the streamers’ offer. But the need to realise the streamers investment more quickly from the first day’s shoot demands efficiencies in production and post… and particularly workflow. Most of these efficiencies will be driven by the
opportunity to reduce costs without impacting quality. The driver will be the desire to realise their investment more quickly from the first day’s shoot. Increasing process automation and standardisation will further reduce what were labour-intensive tasks. And they will still want to work with the best – and available - talent wherever they are in the world and so hasten the production’s return on investment. But getting the content to market more quickly
isn’t just a cost-saving exercise. It makes sound commercial sense. Faster turnarounds also offer greater topicality, a more compelling offer, which is immediately understood for non-scripted shows but is also the case for scripted. The possibility that the streamer can see how Season 1 is being received while producing Season 2 might be the make or break insight for Season 3 or a spin off.
EDITORIAL EDITORIAL VFX HDR10/Dolby Vision Capable Monitor HDMI / SDI HDR10/Dolby Vision Capable Monitor HDMI / SDI HDR10/Dolby Vision Capable Monitor
COLOUR/FINISH QC VFX
Riedel JPEG-XS Decoder
JPEG-XS Streambox Halo Decoder 4:4:4 12-bit
HDR Review with ‘baked’ curve (Streambox or STS Mini -> Player)
Streambox Halo Decoder 4:4:4 12-bit CDI
HDR Review with ‘baked’ curve (Streambox or STS Mini -> Player)
RTMP Output to Moxion Realtime
MediaLive CDI
RTMP Output to Moxion Realtime
MediaConnect CDI
Flame Conform NDI Adobe Edit Workstation To Moxion Realtime To Moxion To Moxion Realtime
EDL Upload to Moxion
BMD Raw OCF BMD Raw OCF NDI NDI Adobe Edit Workstation To Moxion
EDL Upload to Moxion
Flame ‘Opticals’ (or light VFX)
NDI
Half Float EXRs?
Flame Conform
Flame ‘Opticals’ (or light VFX)
MediaLive
MediaConnect CDI
Half Float EXRs?
Colorfront Transkoder HDR10/Dolby Vision Capable MonitorHDR10/Dolby Vision Capable Monitor (EIZO)
Riedel JPEG-XS Decoder
Ultrastudio 4k Mini JPEG-XS Blackmagic
COLOUR/FINISH HDR10/Dolby Vision Capable Monitor (EIZO) HDR10/Dolby Vision Capable Monitor HDR
High Performance Shared Storage
Managed Active Directory
High Performance Shared Storage
Managed Active Directory Autumn 2022
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