#IBC2025
ACTUS X SHARPENS AI EDGE Actus Digital
BY KIRSTY HAZLEWOOD
The enhanced Actus X intelligent monitoring platform introduces advanced AI features and streamlined workfl ows designed to improve both operational effi ciency and strategic decision making.
Sima Levy, President and Founder, Actus Digital, said: “With Actus X, we continue to invest heavily in the core compliance logging and technical monitoring features our customers rely on, while extending the platform with AI tools that support news, editorial, digital and legal teams.” The system now integrates real- time content analysis, including multilingual speech-to-text transcription, facial recognition, content summarisation, keyword
LOG ON FOR LIVE NOTES
detection and advertisement identifi cation. These tools are aimed at delivering instant insights from live content. A new browser-based multiviewer
introduces drag-and-drop layouts, on-screen alerts and penalty box functionality, enabling metadata- rich monitoring without the need for dedicated hardware decoders. Centralised alerting also ensures proactive QoS and QoE monitoring across multiple facilities, content types and platforms.
For digital teams, the platform
offers improved content repurposing capabilities, allowing fast clipping and adaptation for OTT, VoD and social distribution. Integrated branding and graphics tools are designed to maintain consistency and support monetisation. 7.C19
57
The iOS app integrates with the Live Timecode Notes online tool
EditingTools.io BY KEVIN EMMOTT
Developed in collaboration with fi lm industry professionals,
EditingTools.io has redesigned the iOS note-taking process for its Live Timecode Notes online tool.
Live Notes is designed to speed up note-taking during live events or studio recording, with customisable tags, personalised buttons and universal colours to help log live shows for later editing. The Live Notes iOS functionality is particularly useful for reality TV shows, but can be used on any event requiring timecode- related notes.
A new browser-based multiviewer adds drag-and-drop layouts, alerts and penalty box features
Notes can be exported later
as PDF or CSV fi les to create spreadsheets, or exported as timeline markers for Adobe Premiere Pro, DaVinci Resolve, Avid Media Composer, and other post-production applications. The app also enables team sessions, allowing multiple people to comment on the same event and collect all notes in one document. Additionally, it offers offl ine use and external clocks. Users can create notes by typing, pressing a predefi ned button, or using the text-to- speech feature. Timecode can be set to individual time zones when commenting on a stream from another region or synced with an external clock, such as a Tentacle Sync device. 8.B30e
GETTING TO THE BOTTOM OF THINGS Neumann
BY KEVIN EMMOTT
Designed for medium to large studio environments, Neumann’s KH series is being expanded with fi ve DSP-powered subwoofers. At the heart of each new model is Neumann’s advanced DSP engine to enable system alignment with the MA 1 automatic monitor alignment system.
The KH 805 II builds on the success of the KH 750 DSP, offering double the output. It is suitable for stereo setups with
KH 150 or KH 310 monitors. Sharing the same acoustic design, the KH 810 II adds multichannel bass management up to 7.1.4 and the possibility to connect and bass manage up to 11 studio monitors. Meanwhile, KH 870 II is tailored for large rooms and high-demand applications and redefi nes Neumann’s fl agship subwoofer to offer twice the output of the KH 810 II.
For AoIP workfl ows, the KH 810 II AES67 and KH 870 II AES67 each have 12 AES67 input channels and integrate
into broadcast and networked audio environments. Offering full system integration and future- proof fl exibility, they support ST
2110, ST 2022-7 redundancy, Ravenna, NMOS and Dante- generated AES67 streams. 8.D50
Neumann is expanding its KH range with fi ve new DSP subwoofers for stereo and immersive audio
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72
