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MAKING THE TRANSITION TO COMPELLING CONTENT Adobe
BY MICHAEL BURNS
New features and workfl ow innovations for Adobe’s Premiere Pro, After Effects and
Frame.io video tools are being unveiled at IBC, as well as Premiere for iPhone. Premiere Pro subscribers gain access to over 90 new effects, transitions and animations, live audio waveforms and quality enhancements. After Effects has a Quick Offset tool for highlighting and shifting keyframes or layers with a single click-and-drag.
Frame.io offers account-level metadata for asset organisation,
automated workfl ows with APIs and connectors, captioning in seconds and enterprise-grade security for sharing. Meagan Keane, Principal
Product Marketing Manager for Adobe Pro Video, said the features were in response to “dialogue with our community to improve our core workfl ows, deliver stability and performance… helping our customers focus on what matters most to them, telling compelling stories”.
Keane also announced the free
Premiere for iPhone app, offering creators access to pro tools such as Firefl y generative AI and enhanced speech, Adobe fonts
and free creative assets. Users pay for generative credits and Adobe Cloud Storage. Premiere on iPhone is available for pre
AUDINATE GETS AMPPED UP AT IBC Dante by Audinate BY KEVIN EMMOTT
Bringing Dante connectivity directly into Grass Valley’s AMPP, Audinate has announced the integration of native Dante audio networking that allows users to discover, manage and route Dante audio streams. With support for up to 128×128 bidirectional channels and latency as low as 1ms, the integration delivers robust audio capabilities across any AMPP-powered workfl ow. The strategic collaboration
order from the iOS App Store, and Keane revealed that Premier for Android is also in development. 7.B35, 13.D501
Keane: ‘Helping our customers focus on what matters most to them’
Waters: ‘This is the fi rst time Audinate is offering a pure, by-the-hour consumption service’
means customers can now incorporate Dante audio into their software-defi ned workfl ows with no extra hardware or long-term
commitments. Other highlights include fl exible licensing with hourly and monthly access models and deployment across cloud,
MODULAR TACTIQ TAKES FULL CONTROL EVS
BY KIRSTY HAZLEWOOD
In Hall 7, EVS is debuting Tactiq, a modular interface that unifi es the control of core production elements including video, audio, graphics and lighting. Tactiq is designed to simplify complex backend orchestration through intuitive, role-based interfaces.
Serving as the front-end of EVS’s Flexible Control Room
solution, Tactiq decouples the user interface from the backend infrastructure, enabling teams to dynamically assign roles across controllers and touchscreens, while providing a consistent user experience.
EVS claims its software-defi ned design and open architecture simplifi es scaling operations, while built-in semi-automation streamlines workfl ows to maximise productivity. Serge Van Herck, CEO, EVS, said: “With the fl exible control
on-prem, or hybrid environments. Will Waters, Principal Product Manager, Audinate, said: “It’s not just about the technical I/O; it’s also about delivering commercial fl exibility. In partnership with Grass Valley, this is the fi rst time Audinate is offering a pure, by- the-hour consumption service and it’s that kind of fl exibility that broadcasters need. Whether they’re utilising the AMPP infrastructure on-prem, in a truck or in the cloud, it’s all usage based. It’s really important to address that need.” 2.G105b, 8.A9,
8.MS9
room technology that we bring to the market, we will transform the way that production is carried out in future control room environments. We’ve had a very positive reception here at IBC, Tactiq will help our customers work in a smarter, more fl exible way, all while increasing operational effi ciency.” RTBF is the fi rst broadcaster to adopt Tactiq, transforming the way it delivers content across its TV, radio and digital platforms. 7.B11
(L-R): Van Herck and Jean-Paul Philippot, CEO of RTBF
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