Vol. 71, No.1 Spring 2026 56 Introduction
T e Indian Ocean has been called the oldest of highways in terms of commerce where seafarers and merchants connected Africa, the Arabian Peninsula, South Asia and Asia itself. T e main role in this theater of exchange was the dhow, with its lateen rig and elegant hull, the indigenous wooden sail ship. As soon as the European powers started consolidating their presence in specifi c Asian regions and the Gulf, the dhow could not be replaced by other vessels in local trade and shiſt ed its shapes and functioning according to novel economic and political conditions created.
T e time between 1750 and 1900 is the period of transformation. On the one hand, it was the culmination of dhow-led commerce between Sindh and Gujarat on the one hand and Oman and Zanzibar on the other. At the other extreme, it was the farewell to the dominance of the traditional sail due to the usurpation of European steamships and modern naval technologies. Yet dhows remain, not merely by virtue of their inexpensive nature and their economic suitability to the routes dependent upon the winds of the monsoon, but also because they were also incorporated into the culture and religion of the seaside cities where they operated.
T e current paper aims at discussing the dhow during this transitional period. T e inquiry is guided by three questions:
• What was the development in the design, construction, and rigging of dhows in the late eighteenth and the nineteenth century?
T e study recreates the dhow as a working vessel based on technical descriptions, ship drawings and recordings of regional techniques in shipbuilding.
• What were the main routes and goods that were transported by these ships?
T e commercial routes between Karachi, Bombay, and Gujarat to Muscat, Basra, and Zanzibar will be given attention.
• What cultural and religious interactions went together with the transoceanic exchange of goods?
Dhows were not the mere vessels of cargo, but they were vessels with ideas, languages, and identities that infl uenced the societies they passed by.
T is bi-focused concern, which is technical and culturally oriented,
fuses historical study with
realistic explanation of application to modelers. Historical documents of the European travelers, Arabic journals, and nineteenth-century colonial rulers contain strong pieces of evidence, whereas pictorial materials documented in the form of lithographs, sketches and photographs complement the description of written materials.
At a more practical level, this article also attempts to make its contribution to the increasing volume of literature that is off ered to ship modelers. Dhows have been poorly represented in modeling manuals and guides despite their important and historical meaning. T e lack of standardized data regarding hull sizes, rigging patterns, and decoration poses diffi culties to the researcher seeking to build the right model. Creating a technical supplement of incommensurable sources into one coherent whole, this work provides a foundation to do restoration work with a historical foundation.
T e article is divided into six parts. First, it takes into account the developments of the dhow as a society ship with regional diff erences in design and construction. T is is followed by the analysis of the technical features of hulls, sails and rigging, which are backed by measures of available values as tables. T e actual large trade routes and objects of the period are explained in the third section and the dhow as a cultural shipping vessel to which religion, language, and identity are added to its physical load in the fourth section. A fi ſt h part assesses written and visual materials, along with their prejudices and constraints. T is subsequently serves as the point that
discussion of the implications of the dhow for the ship modelers and maritime historians.
the paper ends with a
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