search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
IN CONVERSATION WITH | Bertrand Lejoly


All pictures show elements from Duravit’s D-Neo range


IN CONVERSATION WITH... Bertrand Lejoly


Belgian designer Bertrand Lejoly has just finished his first ever solo bathroom collection for Duravit. Vicki Evans catches up with him to find out more about the processes and inspiration behind its creation


Q & A


Q: What’s your impression of design in the bathroom industry as a whole? A: This may be the first bathroom collection I have released under my own name, but I have already designed many products in the field – from baths, to faucets, to washbasins – under the name of the designers I worked for before, like Matteo Thun and Vincent Van Duysen.


In my experience, bathrooms are becoming more and more liveable and less functional, less technical. Creating a welcoming atmosphere and being able to express yourself are more important than ever.


Q: In relation to the bathroom specifically, describe what ‘good design’ means to you... A: Good design is about finding the right balance between functionality, aesthetics and materials to create a welcoming atmosphere in the bathroom environment.


Q: How important is it to get ‘good design’ at every level? A: The role of a designer should be to create beautiful, functional products no matter what it costs.


Q: How do you balance aesthetics with practical needs? A: It is the quintessence of product


26


design. It is precisely what you need to achieve. In D-Neo, for example, the rim on the washbasin has a clear functionality: it keeps the water from flooding over and at the same time it is a strong aesthetic detail. It is part of the expression – it forms the aesthetics of the product. It is the job of the designer to find the right balance.


Q: How did this collab oration with Duravit come about? A: I had already worked with Duravit over 10 years ago on a collection with Matteo Thun. From the start, we had a good rapport and a feeling of trust between us. Two years ago, they approached me again, this time to work on the D-Neo collection. Duravit is an incredible company, with a long tradition and deep understanding of the market, the product, quality and design standards. They are very respectful towards their designers and, as a designer, it is a true pleasure and honour to work with them.


Q: What was the initial design brief for the collection and how well do you think you achieved it? A: The brief was to design a complete collection for the bathroom: to create a timeless and universal line, for a broad target group. It also had to be affordable and not too polarising. I believe D-Neo ticks all the boxes. But, as it has only just been launched, I would say let’s wait and see.


Q: D-Neo has been described as a collection that will not date. What elements are key to creating a timeless design for the bathroom? A: It is very difficult to say upfront if a piece will be timeless or not. You can hope for it as a designer and as a company, but in the end it is the market that decides.


Q: Who, or what, inspires your product designs? A: As a designer, I believe you have to be a very curious person by nature. You have to be open and interested in everything that surrounds you: architecture, interiors, art, vintage. But, for me, the key is to find the time to reflect on your inspiration.


In these hectic and challenging times, it becomes more and more difficult to find these moments for reflection, so you need to make sure you set time aside to create them.


Q: From start to finish, describe your design process? A: It begins with a profound understanding of what the client wants and needs. When that is clear, I analyse what the target end user would want and need. From there on, the search for inspiration starts. I always start with sketching and then 2D, 3D drawings and renderings follow, often a model to check the proportions. And I think. I rethink. I rewind. Sometimes I even restart. At a certain moment, I feel that the object I have designed is mature enough to be presented to the client. From there on, the ping-pong with the client, the engineers, production and marketing starts. It is a continuous, back and forth – a very important part in the process. You need them, they need you. It is like a perfect symbiosis. And then together you come to the perfect product: on a technical, functional and, of course, aesthetic level.


· July 2021


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84