This page contains a Flash digital edition of a book.
054


PROJECT / BAY SOUTH, GARDENS BY THE BAY, SINGAPORE


as possible with the light itself being used to emphasise the concept and uniqueness of the landscape design.


Each area has its own characteristics and style and are all connected by common underlying concepts, principles and lighting elements, thus forming a coherent vision on the whole and creating a highly sophisticat- ed and exciting nightscape. As LPA examined the overall lighting image of Gardens by the Bay, the guidelines for the masterplan were analysed individually.


COOLED CONSERVATORIES: FLOWER DOME AND CLOUD FOREST


The Conservatory Complex is an architec- tural icon, a horticultural attraction and a showcase of sustainable energy technology. Comprising two biomes designed by Wilkin- son Eyre Architects that house temperate and tropical plants in specially created con- ditions, the conservatories glow with a soft light that illuminates the flower fields and


the misty mountain in the Flower Dome and Cloud Forest respectively. Soft shades of colour, with varying levels of transparency, are also experienced when visitors enter the huge singular spaces.


The large Flower Dome biome, at 1.2 hect- ares (approximately 2.2 football fields), is 38m in height. The glass dome is designed to suit the large range of plants from the Mediterranean, South Africa and California. In the Flower Field, the lighting has been used to create thrilling forms of nighttime entertainment and interaction with the visitors.


The other biome – the smaller but taller Cloud Forest – is 0.8 hectares (approxi- mately 1.5 football fields) and 58m high. The cool moist conservatory simulates the climate of tropical highlands, covered with the plants from Tropical Montane Cloud Forest regions between 1,000 and 3,500 metres above sea level, up to latitudes of 26 degrees north and south of the equator.


Top Further into the conservatory interiors, the Interpretative Media spaces are dark spaces with lighting focused on the media display about the gardens. Luci LED Linear fittings are recessed into the floor and iGuzzini Le Perroquet spots are focused on the multimedia experience.


Above The characteristic design of the landscape elements such as (left) lanterns (custom made by Wako), canopies, (middle) fungi seats (underlit by Luci FLEX outdoor strips) and (right) handrails (with integrated lighting by acdc) created by Grant Associates is reinforced by the lighting that is fully integrated in the space.


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152