This page contains a Flash digital edition of a book.
031


CRYSTAL CLEAR Martin Professional lighting was used for spectacular visual impact at a high profile event marking the switch from analog to digital TV in London.


Arqiva, the communications infrastructure and media services firm responsible for engineering and delivering the digital switchover project (DSO) in the UK, hosted a special VIP event which culminated in dynamic illumination of the 219 metre high Crystal Palace broadcast tower in southeast London. Arqiva contracted leading event production and branding spe- cialist company Icon to stage the light show and VIP celebra- tion. Richard Dale, managing director of Icon’s event produc- tion division, explained Icon’s involvement. “Arqiva wanted to celebrate not only the completion of their five-year digital switchover project but also to use the event as a chance to cel- ebrate the history of broadcasting in the UK and to look into the future of an enabled digital Britain. Working with Arqiva’s senior management team since the inception of the project allowed us to fully understand the strategic importance of this landmark event in British broadcasting. With this knowledge we were able to design and deliver a truly unique and spectacular VIP event.” The tower was set aglow in colour changing light from Martin Professional Exterior 1200 Washes, programmable IP65-rated 1200W luminaires with a CMY colour mixing system and uniform distribution of light and colour. The fixture’s zoom feature and narrow beam angle option allow for a controlled beam with little light spill. www.martin.com


BOX OF TRICKS


Interactive Lightboxes have been installed at LightAct’s headquarters in Ljubljana, Slovenia. As it is located on a dark street, LightAct wanted to create something that would blend into the environment while at the same time attract visitors and encour- age them to interact with the installation. The interactive lighting scheme lets the lightboxes play around by themselves in a lifelike pattern when there is no-one in the vicinity. That alerts the approaching people that there is something happening there. However, when the visitor approaches the light suddenly moves towards him and starts to follow him. This creates a beautiful movement of light that suddenly becomes much more ‘alive’. www: lightact-system.com


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152