060 VENUE
FRANÇAIS Le Palladium de Stuttgart est un des théâtres possédés par Stage
Entertainment - une entreprise de production théâtrale - renommé à travers Europe et les Etats-Unis pour son engagement à produire certains des spectacles les plus appréciés du monde de théâtre. La production la plus récente à être présentée dans ce lieu est Rebecca, une romance gothique. Le système de son et d’éclairage est normalement fourni par une entreprise de location locale, en fonction de ce que la production individuelle exige. Toutefois, pour Rebecca, l’entreprise a choisi une route différente. Un tout nouveau sound system d’APG a été acheté pour l’occasion. Le sound designer Hendrik Maassen a spécifié un système Uniline qui est suspendu au-dessus de la scène dans une configuration de type AB. ce dernier est complété par 146 cabines MX1, qui sont utilisées pour le son ambiant et les échos. L’éclairage est fourni par des têtes mobiles Vari-Lite et des profils ETC Source Four, contrôlés via des consoles MA lighting de grandMA. Les éléments visuels frappants - via des projecteurs Barco et des serveurs média Green Hippo - complètent l’installation. Les trois éléments se complètent pendant la performance de Rebecca, renforçant une rupture depuis les normes qui apparaît comme la bonne décision pour Stage Entertainment.
DEUTSCH Das Palladium in Stuttgart ist nur eines der Theater im Besitz
suited each individual singer. Sennheiser SK5212’s are utilised for transmitters, while Sennheiser EM-3732’s were specified as receiv- ers. To bring any musical to life, the audio could perhaps be deemed as the most important element, but the combination of that with lighting and visual technology allows the audience to be fully encapsulated by the story. The lighting at the Palladium Theater was also installed specifically for the production of Rebecca. The main lighting rig comprises 116 Vari-Lite moving lights including VL3500Q Spots, VL3500 Washes, VL3000 Washes and VL2000 Spots. The VL3500Q Spots are 1,200W luminaires so are capable of produc- ing superior colours and high brightness outputs, they also have a quiet operation mode, which is ideal for theatre application. While the VL3500 Washes were chosen because they are well equipped with 20,000 lumens of output and excellent beam control. Frank Staudt, who is in charge of lighting at the Palladium Theater said: “The Vari-Lite [fixtures] stand out, when lighting designers say what they want to use, most of the time they ask for the Vari-Lite [fixtures] because they have the best light output and the biggest colour range. The 3500’s really are monsters, they make big lights.” ETC Source Four profiles with varying degrees, 120 colour scrollers and some generic theatrical lighting fixtures from Amptown make up the remainder of the lighting installation. To control the entire lighting rig, the theatre has two MA Lighting grandMA full sized consoles. One is used as the main desk and the other is for back-up. Frank continued: “We use the MA Lighting grandMA because it’s very stable, and that’s a really important point for us. There are two desks pre-programmed and ready during the show at any one time. We need the highest security factor every day because we play eight shows a week and we have the knowledge that if one desk does go down, we have a back-up.” To date, Frank hasn’t encountered any problems with the console and is very happy with his choice of the grandMA. Video content for Rebecca is projected onto a 50ft semi-translucent theatrical drape. The content projection is handled via Barco HD projectors and features in between the scenic set pieces to tell the story. All of the content was custom made for Rebecca, and it is then saved and triggered during the show using three Green Hippo Hippo- tizer Grass Hopper media servers - two as the main content providers and one programmed for back-up. There is a lot of history behind this story, from the 20th century novel the musical is based on, to the inspiration bestowed from Martin to Hendrik in the ‘90s. The history is bringing enjoyment to present day audiences, whether that be audio fanatics, regular theatre goers, or just family and friends taking a trip to see arguably one of the most famous examples of gothic literature.
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von Stage Entertainment – eine Theater-Produktionsfirma, die in Europa und den USA für ihr Engagement für die Produktion einiger der beliebtesten Musicals der Theaterwelt bekannt ist. Die letzte Produktion, die in diesem Treff aufgeführt wird, ist Rebecca, eine Schauerromanze. Das Sound- und Beleuchtungssystem wird normalerweise durch ein lokales Verleihunternehmen bereitgestellt, entsprechend dem Bedarf der jeweiligen Produktion. Für Rebecca hat das Unternehmen allerdings einen anderen Weg gewählt. Ein brandneues Sound System von APG wurde durch den Treff erworben. Sound Designer Hendrik Maassen entschied sich für ein Uniline System, das über die Bühne in einer AB Konfiguration geweht wird. Hinzu kommen 146 MX1 Boxen, die für Raumklang und Verzögerungen verwendet werden. Die Beleuchtung wird durch Vari- Lite Moving Heads und vier ETC Source Profile bereitgestellt, die über MA Lighting grandMA Pulte gesteuert werden. Bestechende Grafiken – freundlicherweise von Barco zur Verfügung gestellte Projektoren und Green Hippo Media Server – komplettieren die Aufstellung. Alle drei Elemente ergänzen sich während der Aufführung von Rebecca gegenseitig und bestätigen, dass der Bruch mit der Norm für Stage Entertainment die richtige Entscheidung war.
ITALIANO Il Palladium in Stuttgart è solo uno dei teatri posseduti dalla Stage
Entertainment – una società di produzione teatrale – ben conociuta in tutta Europa e negli Stati Uniti per il suo impegno nel produrre alcuni degli spettacoli teatrali più amati nel mondo. La produzione più recente che verrà messa in scena in tale sede è Rebecca, una storia d’amore gotica. Il sistema di illuminazione e del suono è solitamente fornito da una società locale di affitto, a seconda di quello che viene richiesto dalla produzione individuale. Tuttavia, per Rebecca, la società ha intrapreso una strada differente. E’ stato acquistato un nuovissimo sistema acustico dalla APG. Il Progettista del suono Hendrik Maassen ha incluso un sistema Uniline che viene guidato sopra il palcoscenico in una configurazione AB. Questo è integrato da 146 elementi MX1, utilizzati per il suono di tutta l’area e i ritardi del suono. L’illuminazione è fornita dai proiettori Moving Heads della Vari-Lite e dai proiettori Source Four della ETC , che vengono controllati grazie alle consolle MA Lighting grandMA. Le rappresentazioni notevoli – per gentile concessione dei proiettori Barco e dei media server Green Hippo – completano l’allineamento. Tutti e tre gli elementi si completano durante l’esecuzione di Rebecca, e rinforzare il distacco con le solite soluzioni è stata per la Stage Entertainment una decisione corretta.
ESPAÑOL El Palladium en Stuttgart es uno de los teatros pertenecientes a Stage
Entertainment - una compañía de producción teatral - muy reconocida a lo largo de Europa y de los Estados Unidos por su compromiso en producir algunos de los más queridos shows en el mundo del teatro. La producción más reciente a presentarse en el sitio es Rebecca, un romance gótico. El sistema de sonido e iluminación normalmente es provisto por una compañía del alquiler local dependiendo de los requerimientos individuales de la producción. Sin embargo, para Rebecca, la compañía eligió un camino diferente. Se adquirió un flamante sistema de sonido de APG para el sitio. El Diseñador de Sonido Hendrik Maassen delineó un sistema Uniline que sobrevuela el escenario en una configuración AB. Éste es complementado con gabinetes MX1 que se utilizan para sonidos envolventes e intervalos. La iluminación es suministrada por cabezales móviles de Vari-Lite y perfiles ETC Source Four que son controlados mediante consolas de MA Lighting grandMA. El atractivo visual - cortesía de los proyectores de Barco y los servidores de Green Hippo - completan el arreglo. Los tres elementos se complementan entre sí durante la interpretación de Rebecca, reafirmando que el hecho de desprenderse de las normas fue una correcta decisión para Stage Entertainment.
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