This page contains a Flash digital edition of a book.
www.aja.com Edit with AJA. Professional I/O for your platform and workflow.


KONA 3G. Now with 4K capture and playout. Multi-format Digital I/O


KONA 3G brings the video professional an unparalleled feature set designed to keep you ahead of the game. Now with a powerful "4K Mode", KONA 3G supports 4K capture/playback on a Mac in both YCbCr and RGB for the highest quality. Featuring 3G SDI I/O, and true 3D HDMI 1.4a monitoring support, KONA 3G is a cross-platform solution, giving you the freedom to work with the software of your choice.


• Seamless integration with Apple Final Cut Pro, Avid Media Composer 6, Adobe CS5, Autodesk Smoke for Mac and more • Uncompressed Quicktime, and DPX file format support • Broadcast quality hardware based 10-bit up-, down-, and cross-conversion • RED Epic and ARRI Alexa workflow ease with true 2K/4K playback • 3D workflow support with discrete left and right eye output


KONA LHi Multi-Format Analog & Digital I/O


KONA LHi bridges the gap between legacy analog devices and the latest 3G SDI and HDMI enabled products providing editing, monitoring and mastering of professional quality video in an affordable, powerful, easy to use cross-platform product. Compatible with applications like Apple Final Cut Pro, Avid Media Composer 6, Adobe CS5 and more.


Io Express Portable Multi-Format I/O


Compact and lightweight, Io Express brings professional I/O and full 10-bit broadcast quality downconversion to your PC or Mac, with full compatibility for Apple Final Cut Pro, Avid Media Composer 5.5/6 and Adobe CS5.


Find out about our latest Edit products at www.aja.com


Because it ma tt ers .


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84