“There are a bunch of things that help. I don’t drink any alcohol or use any drugs (besides micro-dosing psilocybin
mushrooms
sometimes, but that’s not about getting high). I eat pretty healthy, get enough exercise, and don’t experience that much FOMO (fear of missing out). Speaking with my colleagues about their experiences, some struggle with the FOMO. It’s hard for them to say no to specific opportunities (extra shows for example), or
afterparties on tour.
certain temptations like I’ve
started to say
‘no’ to shows a lot more since 2018, going from doing more than 150 shows a year to less than 110. Nowadays, I do around 90-95 of them per year. It’s vital for me to take time off from touring regularly and to spend enough time at home and in the studio.”
“Regarding creativity and productivity,
something that’s helped me a lot over the last few years is, I have been working with someone who helps me finish/mix/master my tracks. Getting a track from 80% to 100% can take longer
than creating something
from nothing to 80%. Nowadays, what’s even better is that we try to meet up regularly to get those tracks over the finish line in person. Besides saving me lots of time, this way of working enables me to spend more time on the creative side of things. It’s also refreshing to have someone else look at your music from a different perspective. For instance, I found I usually mix my tracks too “subby” and muddy, lacking brightness and clarity. Approa- ching the mix/master with someone else’s help makes you much more likely to find a better balance sonically. I would recommend other artists to collaborate regularly and try to learn to become better collaborators and learn how to communicate better. Find out what your strengths and weaknesses are and find others whom you can create mutually
collaborations with. Never
beneficial relationships and stop learning!”
As HI-LO, Oliver continues to explore new horizons, pushing boundaries and redefining sounds. From thunderous collaborations with Maddix, Space 92, and Eli Brown, to deeper, more Minimal tracks, his musical evolution knows no bounds. A bridge between worlds, a force of innovation, HI-LO’s journey is one that promises an electrifying future for electronic music.
“I’ve enjoyed working on harder, more aggressive, more ‘ravey’ and faster
tracks.
While still keeping the musical integrity there and not losing soul. Besides some harder solo stuff, I’m working on massive bangers with Maddix, Space 92, and Eli Brown, for example. However, next month, I’m releasing two tracks that are a bit deeper and more minimal than most of my tracks. One is a solo track part of the new Drumcode A-Sides compilation, and another is a collab with ZHU on my label HILOMATIK. Generally, I just try not to over- think things; I’m happy when I’m creative and like to create things I’m personally very excited about.”
In the dancefloor symphony of beats and bass, HI-LO isn’t just a name; it’s a sonic revolution. Oliver Heldens’ alter ego is more than a genre-bending maestro – it’s a testament to the limitless possibilities within electronic music.
As we ride the waves of HI-LO’s soundscape, it’s not just about the beats; it’s about a relentless pursuit of pushing boundaries. Rooted in the fusion of mainstream and underground, and with an unmistakable edge, HI-LO isn’t following trends; he’s setting them.
So, here’s to the beats that break moulds and a force that’s shaping the future of Techno with an attitude as contemporary as the next drop.
Text by: Susanne Buchner 30
mixmagnl.com
LOOKING FORWARD: THE NEXT BEAT DROPS
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